Sunday, April 28, 2013
I want to thank the person(s) who said that FEMRITE poets are page poets because I can’t remember when I have laughed so hard in my life. Thank you. You are funnier than Lenny Henry, funnier than all the Carry Ons put together, more hilarious than Mr. Bean and you are just the right medicine for a dull day. Whenever I feel low, I remember what you said and I just laugh some more. In 2000, FEMRITE initiated its annual week of activities where poets performed during bonfires and book launches. In 2001 outside the National Theater as it was called then, we read and oerformed our poetry around a bonfire, we danced to the Larakaraka, we read from playscripts, we ate roasted goat meat far into the night as our words made us laugh, ponder and more importantly, united us. Dr. Susan Kiguli, (PHD) and author of two award-winning poetry collections, The African Saga and Home Floats in the Distance, the latter which is also bi-lingual, has been performing around the world for over ten years. She has been chief guest at The Time of The Writer in Durban, Creative Center for Arts, in Germany, in England, Scandinavia, many other parts of Europe and countless times in Uganda. Nakisanze Segawa, a young spoken word performer and also a traditionalist is amongst the single most rewarding performers and she proved this during the launch of the Caine Prize anthology this month. How then can people say that FEMRITE poets are page poets? Maybe they say that to make us laugh because you have to admit, it sounds funny when you think of it. In 2002 when Kampala hosted the International Women’s Know How Conference and Women’s World Congress, Jackee Batanda, Mildred Barya, Arac de Nyeko, Beatrice Lamwaka and myself all performed during various intervals. Mildred is relentless when it comes to poetry performance. From 1999 when FEMRITE began hosting the readers-writers’ club every Monday, people have been performing and listening to feedback of their works. Personally, I am very blest because every year when I hold an annual poetry award, new poets read their winning poems at the award ceremonies and I am privileged to listen to new entertaining fresh voices. Hilda Twongyeirwe, the current coordinator of FEMRITE, has been performing in English and Rukiga for over a decade. Other performance poets are Rosey Sembatya, Sophie Alal, Betty Kituyi, Lillian Aujo, Philo Nabweru, Sophie Bamwoyeraki, Flavia Zalwango and so many others. I would like to appreciate the new initiatives that have been set to promote the spoken word. More power to you. We’ve got this. No looking back. Have a gd week. Bev Nambozo
Friday, April 26, 2013
Betty Kituyi was 3rd in the 2012 BN Poetry Award. BN stands for Babishai Niwe and formerly , was Beverley Nambozo Poetry Award, now in its fifth year. What is your academic and occupational background? (What you do for living). To many of my writing friends I am seen as a writer who marries science and art. I have a strong science background with an MSC in Chemistry and I am now a national coordinator of Café Scientifique – Uganda. The project targets young people in secondary schools and gives them an opportunity to meet science experts informally at the school to explore interesting and new ideas on science and technology. Before this project, I have taught science subjects at secondary school and university levels. I continuously make a double flow between science and art and my work experience runs from science research, education, public engagement, creative writing, poetry, editorial practices and publishing. When have you been writing poetry and how many poems have you written? My writing journey began as early as 8 years of age when I started writing in my school notebooks about the lessons I was learning about events around me and how I felt about them. My uncle, Malomo, kept a small hard cover red notebook in which he wrote about his brother’s family (our family). In this book, there were records of child births, famine and harvest and other things I do not remember now. This little book became a treasure to our family when we would gather around a paraffin lamp on many nights to read its contents. The book inspired me to keep a record of things. When I grew older and I leafed through the scribbling in my notebooks, I realised that they were poems. But I began seriously writing poetry in 2001 – 2003 when I became a student on the Crossing Borders program by the British Council. This was an extensive online writing program that involved Ugandan writers on a cultural exchange with established writers from the United Kingdom. I developed 60 poems from this scheme but I have written over 100 poems. What other poetry award have you won? Or how else has any of your poems been publicly recognised or used? In 2002 my poems Third World Champion and In Touch were winning daily poems on the BBC Network Africa poetry competition aired on the morning radio broadcast. In 2010 my poem, A place, was published in The Butterfly Dance by Femrite Publications Ltd. In 2009 my poem, Hibiscus, was published in The Painting Voices poetry anthology by Femrite Publications Ltd. I have recited my poetry at different writing forums including the recently held LittWorld 2012 International conference. What draws you to poetry? Is there any a special feature or aspects of poetry that makes you drawn to it? Poetry works for me because I am always attracted to what lines the surface of things. When I look at a burning candle, I am attracted to its dancing flame and its enduring burning wick. It stirs images in my life and where I am standing at that point - whether my candle will keep burning despite the stormy currents surrounding it. The candle therefore carries a strong spiritual symbol for me and it is only poetry that can embody its short lived story for me and that works. What is the story behind your poem FALLING? What lines or a stanza of the poem has a strong bearing on your personal life? Here is Falling: Falling The rain is gently clapping at the rocks outside my kitchen. Its music waters my desert. A new song forms, the sound of raindrops washing my face. The rain is steadily taking me home by twilight. I am learning from the weeping clouds that falling isn’t dying. I wrote this poem when I was down with Migraine and in a lot of pain. The rain just kept pouring steadily and gently the whole of this day and it was perfect weather for my condition. As I stood at my kitchen sink to watch it, I found I liked the way it fell – gently - and how it was received by the rocks. There was music in all that and I liked it. It healed me. Then I heard a knock on the door and Moses my fiancé stood tall before me – the rain had steadily brought him home – I cried. But it is the last stanza that surprised me - ‘I am learning from the weeping clouds that falling isn’t dying’. Those words just came to me after so much editing of the poem and they resonated with me and stood strong and powerful in meaning. Later at the Beverly Nambozo 2012 Awarding ceremony, everybody was talking about Bududa and the rain and the mudslides. Then it occurred to me that my poem was prophetic – as I stood up to give my speech as a third winner, I told the audience that I came from Bududa and they were so surprised. But I also told them, ‘the rain fell in my village and my people died yet my poem said that falling isn’t dying’. At that moment I began to believe that the poem had a personal message for me and my people – ‘May be there was a meaning to this death in my village, may be dying is not the end.’ I told the teary audience. Follow this story here: http://www.doenculture.com/2877/en/betty-kituyi-3rd-winner-of-bn-poetry-award-2012 What made you submit the poem for the competition? Did you entertain any inhibitions as you submitted your work? I looked at the prizes and they were good. The theme was music and my poem had music in it even though it wasn’t obvious. I had done my homework to put every word and every line in its place. So I knew that my poem stood a chance to win. I did not entertain any inhibition whatsoever. Just like a mother lets her child to face the world one day, the moment had come for me to send my poem out there to speak for its self. I had no control over how it would be charged but I had given it a chance to be – a poem - and that worked. What has the success of this poem, FALLING, done to your literary outlook (or attitude to writing)? I have learnt to pay attention to the small moments that happen in my life – my poem which began at the kitchen sink has travelled vast distances across the world and is being read by students and people from all walks of life. This has humbled me and uplifted me at the same time to write and share my work the more. What kinds of writing do you do beside poetry? Any example of writing in any genre? I have written journalistic pieces that have been published. I do thematic writing and currently I am writing around Christian themes: March 2010 How Boys and Girls Think Differently, an article published by the ObserverNewspaper: HYPERLINK "http://www.observer.ug/index.php?option=com_content&task=view&id=7738&Itemid=106" http://www.observer.ug/index.php?option=com_content&task=view&id=7738&Itemid=106 2010 My Basuben, a short story on Female Genital Mutulation was published in the Beyond the Dance anthology in by Femrite (Uganda Women Writers Association) Publications Ltd. What motivated you into writing and what factors are propelling this motivation for keeping on writing. I have a thirst for stories – I am always reading books. There was a year when I looked at the volumes of books I had read and decided that I needed to start writing my own books. From that point on, I still read but I also write. Being a member of Femrite (Uganda Women’s Research Association) and Faith Writers Association has helped me to meet other writers who continue to encourage and inspire me to write more. Being part of 2012 LittWorld made it clear for me to write my faith story for Uganda and the world. What challenges do you face in your personal writing life? It is not always easy having to switch from the experimental world of science to the feeling world of poetry and storytelling. The two worlds are completely different. The discipline to sit down and complete a writing project is a challenge for me. As a mother and a wife, how does family life affect, enhance, or diminish your writing? My stories are many times intertwined with my family life – yesterday my eight year old son told me a story about a pencil thief and pencil collector in his class. His description of these two kids were so vivid, I came back to them many times later in the day. I know that this story will find its way in Memoirs of A Son – a book I am writing on my young son’s view of the world. My family life enhances my writing to spring from the heart. What is your role on the Uganda Faith Writers Association and what personal vision do you have for what the Association can become? I am one of the two founder members of the association. Currently I coordinate the association activities. My personal Vision is to see Faith Writers become a home of Christian Writing and Publishing in the Country, where writers’ talent is nurtured and harnessed into concrete books that will tell the Ugandan Christian Faith story to the world and for future generations.
Sunday, April 21, 2013
The 5th and final BN Poetry Award for Uganda. Theme: Innovation Deadline for submission extended to June 1 , 2013 As we celebrate the 5th and final BN Poetry Award for Uganda, the theme of Innovation is most suitable because 2013 is about originality, modernization, freshness and in 2014, we’re taking the award to an international level. Guidelines for the award: • The theme is Innovation and you may submit a total of three poems under this theme • The award is open to Ugandan women above 18 years and who are residents of Uganda • The poems must be sent as word attachments in Times New Roman Size 12, single-spaced • Submit poems by email to firstname.lastname@example.org or post to P O Box 34942 Kampala, Uganda • For more details, follow the facebook page, Babishai Niwe Poetry Foundation or blog: http://bnpoetryaward.blogsot.com or website: www.bnpoetryaward.co.ug • DEADLINE EXTENDED. Submission will be accepted up to June 1 2013 at Midday, East African Standard Time. PRIZES: • The first 3 winners will attend a fully sponsored trip to the Storymoja Hay Festival in Nairobi alongside cash prizes of 500 US Dollars, 300 US Dollars and 200 US Dollars respectively. • The first 3 will also win autographed copies of Home Floats in the Distance / ZUHAUSE TREIBT IN DER FERNE, Dr. Susan Kiguli’s second poetry collection which is also bi-lingual, autographed copies of Diaries of a Dead African, by Chuma Nwokolo, Jr. and autographed copies of Tropical Fish by Doreen Baingana
Monday, April 15, 2013
Babishai Niwe, meaning Creating with you, is the name replacing Beverley Nambozo Poetry Foundation. The Babishai Niwe (BN) Poetry Foundation is a newer more collaborative provision for poetry and the creative arts. The name also creates a more suitable space when the Babishai Niwe (BN) Poetry award goes regional in 2014. The team will collaborate with literary partners in Africa and the diaspora to:- • Hold annual regional poetry awards for both men and women • Create a publishing component through partnership with indigenous and international houses in order to contribute towards fulfilling the publishing need in the region • Conduct regular trainings in creative literary arts • Publish an anthology of poetry from poets of Africa in 2013 and distribute widely • Coordinate regular poetry camps • Other activities with individuals and organizations that promote literary arts We extend our appreciation to partners and individuals that have been great support. We appreciate the poets that have been participating in the annual BN Poetry Award. We thank the judges over the years namely; Dr. Susan Kiguli head of Literature Dept at Makerere University and author of two widely acclaimed poetry collections, Iga Zinunula, a poet and entrepreneur, Apuuli Mugasa who is the head of The Literature Association of Uganda and author of Pulse of the Pearl and Mildred Kiconco Barya, author of widely acclaimed poetry collections Men love Chocolates but they don’t say and Give me room to Move my Feet. Our financial partners over the years; Uganda Clays Limited, Wordalive Publishers, Stichting Doen, Prince Claus Fund, Bayimba Cultural Foundation and Uganda Health Marketing Group and those that contribute regularly via mobile money. The media including UBC, The New Vision, The Monitor Newspaper, The Weekly Observer, Record T.V and mad and crazy blogspot and various sites like Writers Afrika, Proggie UG and others. The guest artists at the different award ceremonies; Ife Piankhi, Acaye Pamela, Susanne Aniku, Pretty Poet, Nakisanze Segawa, Prophet, Colleens Barasa, Rachel Kunihira, Susan Kerunen and MCs Sophia Aniku and Lucy Chihandae. We thank the financial and legal consultants who keep the BN Poetry Foundation in check, Gilgal Family Network that maintains the website, www.bnpoetryaward.co.ug, the people who like and support the facebook poetry page, at Beverley Nambozo Poetry Foundation, changing to Babishai Niwe Poetry Foundation, those who follow the blog at http://bnpoetryaward.blogspot.com. We also thank the growing family of writers across the globe. Thank you. P.S. The theme for this year’s poetry award is Innovation, meaning creation, freshness and poems can be sent to email@example.com. Details can be found at www.bnpoetryaward.co.ug. Beverley Nambozo (Founder and Director) cc. Rt. Honourable Rebecca Kadaga (Patron)
Tuesday, April 2, 2013
The winner of the Sillerman First Book Prize for African Poets for 2013 is Clifton Gachagua for his manuscript Madman at Kilifi. Below is a photo off the internet. He will receive a USD $1,000 prize and publication by the University of Nebraska Press and Amalion Press in Senegal. “I was driven mostly by what was for me a quest for a fresh language—something that seemed to come out of the energy of language spoken and owned, and then transformed into a poetic force that seemed sometimes out of control, but only in the way that honest passions can seem out of control,” says APBF Series Editor Kwame Dawes. “There is cleverness aplenty here and much that is provocative and troubling. Indeed, I think it is daring, careless and at times tender and vulnerable. But above all, there is a distinctive voice here. This is a strange trait to find, but when it emerges it is striking for its originality. I believe this is an original voice. This manuscript achieves what is necessary in African poetry: it feels as African as Africanness can be, and wholly contemporary and in our moment.” Clifton lives in Nairobi, where he was born and raised. His poetry has appeared in Kwani? 06 and Saraba. He has recently finished work on a novel. Clifton is also a scriptwriter and filmmaker, currently developing a French-Nigerian feature-length film. He graduated with a bachelor’s degree in biomedical science. He has spent a considerable time of his life on East African highways, travelling from lake to coast and back, in search of both love and Jeffery Eugenides’s Obscure Object.