Monday, July 31, 2017
ACEN CAROLYNE FROM UGANDA; BABISHAI 2017 HAIKU SHORTLIST
What drew you to enter the competition?
As a poet, I haven’t participated in any literary competition like this, so I intended to give it a try when I came across the call for submissions for the Baibishai Niwe Haiku contest.
Do you have a particular personal story with haikus?
Yeah! I really do love Haiku but I never penned down any until I saw the call for submissions. It’s amazing that one among my first three Haikus I had submitted, made it on the shortlist. I couldn’t believe my eyes, I was totally surprised because I least expected it. Thereafter my entry into the contest, I have had an Haiku published in the Mamba Journal and I’m proud of that.
What do you think of the shortlist in general?
Wonderful! reading great Haikus emanating from great minds, each and every Haiku deserves to be on the shortlist and I know it will be a herculean task for the judges declaring the winners.
Congratulations to every brain behind these powerful haikus on the list.
What motivation do poets need?
I think platforms like literary festivals are really encouraging for poets to expose their literary works to the world. Contests will always motivate the writer to keep scribbling.
Poets as well must be self-inspired to inspire the world.
If your 2017 haiku submission were food, what would it be?
It will surely be ‘Banku’ an energy giving food prepared with corn and cassava dough relished by virtually ever Ghanaian. It is one of the most popular food in Ghana enjoy with all kinds of soup, stew and hot pepper. before and after an energy sapping work.
Everybody likes it!
Read Acen’s Babishai 2017 haiku here
the drunken cockroach
reels around the verandah-
rooster chuckles
We at Babishai, congratulate her again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
We at Babishai, congratulate her again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
Sunday, July 30, 2017
AKOR EMMANUEL OCHE FROM NIGERIA; BABISHAI 2017 HAIKU SHORTLIST
Akor Emmanuel Oche is a Nigerian Poet, Critic, Essayist and thinker. He is the secretary of the Africa Haiku Network. His haikus have appeared on Pengician, Failed Haiku, Under the Basho and the Mamba Journal among others.
-->
We at Babishai, congratulate him again. The winners will be announced
at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura
Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The
full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Akor Emmanuel (Courtesy photo) |
What drew you to enter for the competition?
Haiku writing for
me has been one of those things I do almost on a daily basis for the past two
years. After being re-introduced to two short poetry forms in 2015, the Haiku
and the limerick, I feel in love with the haiku more because it has to do with
nature and i am an unrepentant lover of nature. Since then, I have been writing
one haiku a day.
I have always
being one of those skeptical about poetry prizes, especially in Africa, I
believe it is always saturated in politics and is never fair in its judgments,
moreover, awards and recognition are not what makes a writer what he is, they
only give him public valediction (my personal assessments though) but after
seeing the names of those who made up the judging panel and putting into
consideration that this contest had nothing to do with online voting, I thought
it wise that it was time I entered my haiku for a contest.
Adjei Agyei-Baah and Emmanuel Jessie
Kalusian are two haijins I
trust so much, I have been working with them for some time now in my office as General
secretary of the Africa Haiku Network/ regional ambassador and I can safely say
that their judgment is close to infallible, when it comes to African Haiku. So yeah!
The AHN co-founders and my colleagues where the inspiration behind me
submission.
Two more people I
cannot fail to mention as co-inspirers are Taiye Oguns, who constantly reminded
me via chats not to forget that I had a contest I must enter for, then my
fellow shortlisted poet, Anthony Itopa Obaro, my statesman, who was the first to
alert me when the call for submission was publicized. A big thank you to all
fours.
Do you have a particular personal story
with haikus?
I have had plans
for some time now to write an article I titled A JOURNEY INTO LIFE THROUGH THE NIDDLES
EYE: MY PERSONAL EXPERIENCE WITH THE HAIKU FORM to be submitted to the Mamba, the
thought of it came to me on a sweet afternoon while I was heading somewhere
natural to feel nature and write one or two ku’s for the day. Thinking the
essay through, I realized that I actually don’t have a haiku story or suffix to
say, I have forgotten how, why and when I wrote my first haiku. This amnesia, I
cannot tell if it was self induced, psychological or natural, but what I do
remember is that sometime in 2015, some interesting haikus about the sun
written by Ehi'zogie Iyeomoan I read on Facebook, fired me up from my slumber
and launched me into serious haiku writing. Soon after, I joined the Africa
Haiku Network and was appointed Publicity secretary by the bored. Prior to
this, I had submitted a few haikus here and there, some got published others
rejected and here we are still growing still learning.
What do you feel towards the
shortlist in general?
Ahh ahh ahh the
shortlist hmm!
Firstly, as I have
said, I trust the judgments of this years’ judges to be 100% unbiased,
apolitical and sincere plus being aware that the contest was blindly judged,
what more can I say than that I am very satisfied with the shortlist.
Babishai gets more
innovative each year and so does the African haiku form (Afriku), let me seize
this opportunity to thank the Foundation for the good work they are doing with
haiku promotion in Africa, this years’ shortlist is an evidence of it, some new
names have emerged in the haiku world because of this contest and many other
secular poets in Africa have also embraced the art form.
Everyone familiar
with the haiku family in Africa can testify that this years’ list was both as
shocking as it was pacifying. Some expected names of haijins making serious
impact with the African haiku made up the major bulk of the list, while the
others are made up of new converts embracing the art form and to our surprise
are doing very very well with it. It is enthralling to see many of my friends
on the list, I won’t mention names but will just say, the list was well
selected and let the best man win.
What motivation do poets need, to keep
writing, in this ridiculously competitive
world that vies for their attention?
“He
only observes Nature in awe through the lens of many eyes all at once. He
documents it all for his own enjoyment. If this later gets to fulfill a higher
calling in the life of humanity, then fine and good, if it doesn’t, all the
same, he moves on to other things awaiting his own demise. It’s simple for him.
Chaos or peace, life goes on until each man meets his end…” This is
a quote from my recent publication on Medium describing
what the true poet is.
Writing as I understand it and as I was taught to understand
it, is personal business. Being a writer, like being a Christian, is first
about personal salvation before it becomes a thing of mass conversion and
conviction. What kills the fire in many writers in today’s H I G H L Y
COMPETITIVE world, is the pursuit for immediate glory, the internet and the
fake lives it portrays about everyone has introduced a negative craving for recognition
in writers, there is little or no time for delayed gratification and craft
honing anymore, and when a writers expectation is not met, it becomes easy for
other issues of life to steal his attention; family, friends, work, marriage,
poverty, lack et al. I have always held the notion that the true artist is that
person who can create a masterpiece in the closet of his room, where no one can
see it, later locking it up or destroying it without losing sleep. Writing, for
the matured writer, is like sex, most people have it every day but none gets
angry or worked up for not telling his friends every day how good he was in bed
the previous night; it should be a normal way of life.
Writing is much about character as it is about talent, at
the onset or early stages of being a writer, everyone poet must learn to turn
his passion for the pen into a strong habit, that is the only way he can still
have enough time and energy to create masterpieces when other worries of life
scuffles for his attention. Inspiration is for the beginner, motivation is for
the occasional practitioner but habit is the foundation on which masters are
built.
If your 2017 submission was
food, what would it be?
IGBARI
A native delicacy made
out of meshed corn seeds, green beans, vegetables and lots of palm oil. It is
native to the Idoma people of middle-belt Nigeria and can also be found amongst
the Igala people of Kogi state and the Igbo people in some parts of Enugu
state, both in Nigeria.
Igbari! not only because it is native to my people—the
Idomas— nor because it is my favorite local dish but because, like the
character of my haikus, Igbari is very loose in appearance—more like Jollof
rice when cooked—but very rich in nutrients. Its loose nature allows enough
space for many other condiments to come in. in my case, my haikus allows enough
space for many individual interpretations to come in.
Read Akor's Babishai haikus here
market square–
the town crier’s voice
summons a crowd
Akor Emmanuel Oche
Nigeria
nightfall
the modulated chirping
of hidden crickets
Akor Emmanuel Oche
Nigeria
Read Akor's Babishai haikus here
market square–
the town crier’s voice
summons a crowd
Akor Emmanuel Oche
Nigeria
nightfall
the modulated chirping
of hidden crickets
Akor Emmanuel Oche
Nigeria
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Saturday, July 29, 2017
KUADEGBEKU PAMELA FROM GHANA; #ABISHAI2017 HAIKU SHORTLIST
Kuadegbeku Pamela Angela is from Ghana, committed to literary causes and her radar is out for literary landmarks. She pursues writing as a stable career in future. She says that if her haiku were food, it would be fufu and lightsoup. Read more about this enchanting poet.
Kuadegbeku Pamela Angela (courtesy photo)
What drew you to enter for the competition?
I am a keen reader in my own comfort zone and a committed fellow to any literary cause; someone who has since been on a persistent look out for a competition of this nature to rub shoulders with other literary 'landmarks'. I should say this contest is right in defining my start point in pursuing a more stable writing adventure in the near future. I did have this conviction this contest will carve out a humble spot for me among my peers, and this was entirely the ruling interest that drew me to the competition.
Do you have a particular personal story with haikus?
Personal story? Not precisely please. But I have come close to seeing the practise of haiku as one expressway to encasing all I have read extensively about as an African girl and an aspiring writer so to speak. However, Basho's haiku have practically left an indelible smirch on me since I have read a great deal in my pursuit of learning how to write one myself.
What do you feel towards the shortlist in general?
The shortlist unequivocally displays myriad of intellect, with all the Ku showing in their capacities the expected aha moments. It has predictably led to another insightful finding that many African poets have the necessary creative skills in their tanks to compete with the international haiku poets. How ever, as an upcoming feminist, I am someway displeased a lot of female poets have failed to find the spotlight in haiku. This is where the gender literary match is leaving absolutely a lot of our women counterparts behind. Hope they wake to the consciousness come another contest season. But am glad to be in the same run-lane with some big whips so far.
What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?
It's really true the dynamics and the interplays have changed unexpectedly in the writing world. Tons and tons of literary materials are day in day out produced beyond the reading population's interest. This phenomenon is sure creating a watertight situation that holds writers at contest end to earnestly keep looking for footholds in their respective continents. This is where this quizzical question stands worth brainstorming over. For me, it is imperative we produce literary materials that are in close correspondence with our continental demands. Our folkloric stories could be exploited and mutated into readable poems while we also focus some attention on those unforgiving problems that militate against us, giving all to originality. It should be a kind of revival campaign by all to write personally not for the mere fun but for the purpose of writing for the recreation of different reading audience for this century and beyond. I wholly believe the internet dormain can also inject some positive Adrenalines into the whole cause.Thus, the social media pages could help disseminate the brand-new poems we produce. Maybe our devotion to writing haiku could project us also into the circles of success. What we essentially need now is some regionally based literary groups which can keep whetting the mindset of young poets to write for our print and the audio-visual media as well. These written poems must be solution finding containers than problem detecting ones. It's been too long a habit of diagnosing the pain through our writings, let's prescribe some near- good solutions now.
If your 2017 submission was food, what would it be?
That would be fufu and lightsoup! I’m salivating already folks.
**********************************
You may read Pamela’s haiku here,
moon circle
palms into palms
an armless child breaks the ring
We at Babishai, congratulate her again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Kuadegbeku Pamela Angela (courtesy photo)
What drew you to enter for the competition?
I am a keen reader in my own comfort zone and a committed fellow to any literary cause; someone who has since been on a persistent look out for a competition of this nature to rub shoulders with other literary 'landmarks'. I should say this contest is right in defining my start point in pursuing a more stable writing adventure in the near future. I did have this conviction this contest will carve out a humble spot for me among my peers, and this was entirely the ruling interest that drew me to the competition.
Do you have a particular personal story with haikus?
Personal story? Not precisely please. But I have come close to seeing the practise of haiku as one expressway to encasing all I have read extensively about as an African girl and an aspiring writer so to speak. However, Basho's haiku have practically left an indelible smirch on me since I have read a great deal in my pursuit of learning how to write one myself.
What do you feel towards the shortlist in general?
The shortlist unequivocally displays myriad of intellect, with all the Ku showing in their capacities the expected aha moments. It has predictably led to another insightful finding that many African poets have the necessary creative skills in their tanks to compete with the international haiku poets. How ever, as an upcoming feminist, I am someway displeased a lot of female poets have failed to find the spotlight in haiku. This is where the gender literary match is leaving absolutely a lot of our women counterparts behind. Hope they wake to the consciousness come another contest season. But am glad to be in the same run-lane with some big whips so far.
What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?
It's really true the dynamics and the interplays have changed unexpectedly in the writing world. Tons and tons of literary materials are day in day out produced beyond the reading population's interest. This phenomenon is sure creating a watertight situation that holds writers at contest end to earnestly keep looking for footholds in their respective continents. This is where this quizzical question stands worth brainstorming over. For me, it is imperative we produce literary materials that are in close correspondence with our continental demands. Our folkloric stories could be exploited and mutated into readable poems while we also focus some attention on those unforgiving problems that militate against us, giving all to originality. It should be a kind of revival campaign by all to write personally not for the mere fun but for the purpose of writing for the recreation of different reading audience for this century and beyond. I wholly believe the internet dormain can also inject some positive Adrenalines into the whole cause.Thus, the social media pages could help disseminate the brand-new poems we produce. Maybe our devotion to writing haiku could project us also into the circles of success. What we essentially need now is some regionally based literary groups which can keep whetting the mindset of young poets to write for our print and the audio-visual media as well. These written poems must be solution finding containers than problem detecting ones. It's been too long a habit of diagnosing the pain through our writings, let's prescribe some near- good solutions now.
If your 2017 submission was food, what would it be?
That would be fufu and lightsoup! I’m salivating already folks.
**********************************
You may read Pamela’s haiku here,
moon circle
palms into palms
an armless child breaks the ring
We at Babishai, congratulate her again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Friday, July 28, 2017
OBAJI-NWALI SHEGUN: BABISHAI 2017 HAIKU SHORTLIST
Obaji-Nwali
Shegun comes from Port Harcourt, Nigeria. This is his second submission to the
Babishai Haiku contest, a form of writing he says, is extremely demanding.
Obaji’s purpose-driven nature leads him to work diligently and passionately.
Obaji(courtesy photo) |
What
drew you to enter for the competition?
First
of all, I offer a colossal credit to the sedulous and purpose-driven judges for
this recognition. Yes! Even if I’d not be a able to row the boat further to the
winners’ range of the sea (In my tiny
mind though) being among the shortlisted poets, only, is a tender draft,
self-healing and heart-warming as it is gratifying. The inclusion of my names
and wee lines in the list is ,to me, like lifting a twiddling crab from its
hole and setting it in the cue of hyenas, buffalos and leviathans. Oh yes! Such
metaphors decorously define the poets making the shortlist. Their creativities
transfixed, electrified and compartmentalized me the almost hundred times I
circled the arts. The lines shrewdly and astutely picked by irrefutably great
and sophisticated Haiku masters muscularly shocked me, and like Carlsberg’s
Jacobsen vintage beers excessively taken made me blotto and wholly sloshed.
I was
vastly overwhelmed, when I saw my poem in the list. What was I doing when the
bang came? What was I doing? Ok, I was in a Vesta Cyber Café in the West of
Rivers submitting a short story to Quramo short story prize ‘ bam’ my Gmail inbox spilled it. I felt gashed not
with a sword but with hyper exhilaration.
I wanted to leap off the swivel chair holding me all the while, but there was a
serious crowd that will hardly fancy my yelp and squeal of triumph. The crowd
circumscribed the way I had arranged to celebrate the dawn of my victories; if
at all I’ve got more victories ahead, but I should believe i have more on the
way.
Talking on the magnet that pulled me like metal into
this soul-saving competition I’d have to admit its my immense love for Haiku.
Last year I had mistakenly stumbled on a word ‘Afriku’ while surfing the
internet and the curiosity to unravel the denotation and connotation of this
completely new word ushered me into a vast pool of teensy lines that ended up
burying me in wonderment and reverence. The capability of words among 17
syllables to effortlessly carve a hole of longing, nostalgia and bitterness in
my heart and thereafter abandoned me panting, grunting and facing the images
and sounds of the glitches perturbing the continent, the splendour of nature
wrapped in aesthetic words instantaneously compelled me into falling in love
with Haiku poetry. And since then I decided to study hard, I meant very hard realizing Haiku is never, never and never as
easy to write as nippy as it is convincingly is. Haiku is an exploration,
getting a perfect Haiku done demands you jettisoning the comfort of your minds
zone and going exploring. If you never darted into the dark with shovel and
digger, you’d always come up with a flat and passionless Haiku. This was a big
fact I realized after embracing Haiku my new love. I realized Haiku is an
angelic maiden sitting in the shade of tree physically convoluted but
interiorly soft and lovely, only demanding anyone who desires to love her to
follow the particular principles with which the wavy routes to her realm is
laced.
I clapped few words together and joined the 2016 Babish
Haiku contest but failed. But I choose not to be deterred or unnerved, in that
I was indeed in love with the power of Haiku, its ability to surround a lot of issues in a jiffy and get a large
amount of work done and not because of the competition or incentives. Let me
digress a bit, Haiku thought me, I’d sometimes fail in letting her fling me to
places if I was only interested in winning a competition. And she’s right, am
already on places. I am a winner by getting shortlisted. It’s even enough for
me even if I’d not step further.
Now let me flow on, I relished Haiku, the long-winded
and eye-opening type of poetry as I enthusiastically immersed my body and soul
in the noble genre of poetry. 2017 Babishaiku contest came and I effortlessly joined
the race, realizing I was good to go.
So, to be frank with you my love for Haiku, its beauty
and convolutedness and a sense that I’ve mastered the art ,to a particular
encouraging level, motivated my interest of entering the competition.
Do you have a particular
personal story with the Haiku?
A particular personal story with Haiku? I elaborately shared
it in the first question but I’d complete the story this way. When I bumped
into a Wordpress blog outlining Haiku poems written by an African a particular
poem stung me, its tenderness and featheriness. Its fluidness and readability-
the poem that would become my port of call in this remarkable poetry genre. The
poem is one of the Haiku poems written by Adjei Agyei-Baah. And it reads:
Lights return
The cheers of kids
Stamp out the crickets
Yes, simple as it seems, it blew my mind away. How this
very few lines naturally and readily captured a moment? A moment I could relate
to as an African and a Nigerian living in that part where you’d have to wait
for NEPA lights for weeks and when it comes you go feral and haywire in
unprecedented jollity. So, I felt unleashing my mind piece by piece and yet ensure a germane sense would be a
good vocation. A fact about Haiku is,
once you mastered the art, the organization of its figure you’d tell the world
your stories as nippily as possible. Even the so-many-schedules-entwined individuals
will find time to gulp your Haiku and capture the message without all the ado posed
by novels and short stories. And like
seriously am enjoying Haiku. It saves my time , energy and free me from the rigour
of expectorating too many words to tell a story.
What do you feel towards
the shortlist in general?
Wow, wow, wow. As I mentioned earlier, the intricacies
or multifariousness, intriguing imageries and sounds and brilliance of the
shortlisted poems is extremely amazing and super-terrific. Each poem delved
robustly into divergent issues and moments one could smoothly relate to. And the judges? I doff my headdress for them.
A shortlist indubitably reflects the wit, cognoscenti and savviness of it
judges. The judges are masters in this art. They’ve started a revolution the
whole of Africa would very soon turn to and enjoy absolutely. Afriku is a wave
and very soon its altruistic fragrance will swallow Africa and it will easily,
as it does, on larger scale, enlighten us, offering the assizes with which to
confront the numerous challenges unsettling the continent. Once again the
shortlist is super-terrific and mind-blowing.
What motivations do poets
need to keep writing in this ridiculously competitive world that vies for their
attention?
You’ve got a good question here. My candid advice to
poets out there is to read and read many poems and write and write many poems. If
your reading is shallow, your writing will definitely be light and narrow. Like,
if Haiku is your forte read plenty of it. Mamba Journal is there, Mercy Ituri
and Adjei Agyei-Baah blogs are there for you to guzzle (I mentioned them cos their works introduced me into Haiku, ). If it’s
other forms of poem go for them via the search internet engines. And I
promise you of incredible places . Please, lastly, do not write because you want
to win an award write for the joy you derive in what you write and the sky will
be your limit.
If your 2017 submission was food, what would it
be?
Ha ha ha…… as an Effium-Eboyian if my submission should
be food it would be esisa and ugu soup with plenty okporoko and anu
nchi, my mentor, Obinna Udewe
will understand this than anyone. But,
since I presently live in Port-Harcourt I’d prefer Edikang ikang and Afang
soup. Ask, Ngozi Olivia Osuoha she’d giggle.
Obaji’s shortlisted haiku
is here:
roadside
gaunt
vultures nipped
a
zonked drunkard
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Thursday, July 27, 2017
KWAO JONATHAN TETTEH FROM GHANA; BABISHAI 2017 HAIKU SHORTLIST
-->
We at Babishai, congratulate him again. The winners will be announced at the
#Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort,
Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full
festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
Kwao Jonathan Tetteh (Courtesy photo) |
1.
What drew you to enter for the competition?
As a poet, I haven't
participated in any literary competition like this,
so I intended to give it a
try when I came across the call for submissions
for the Babishai Niwe Haiku
contest.
2.
Do you have a particular personal story with haikus?
Yeah! I really do love Haiku
but I never penned down any until I saw the
call for submissions. It’s
amazing that one among my first three Haikus I
had scribbled made it on the
shortlist. I couldn't believe my eyes, I was
totally surprised because I
least expected it.
Thereafter my entry into the
contest, I have had a Haiku published in the
Mamba Journal and I'm proud
of that.
3.
What do you feel towards the shortlist in general?
Wonderful! reading great Haikus emanating from
great minds, each and
every Haiku deserves to be
on the shortlist and I know it will be a
herculean task for the
judges declaring the winners.
Congratulations to every
brain behind these powerful haikus on the list.
4.
What motivation do poets need, to keep
writing, in this ridiculously competitive world that vies for their attention?
I think platforms like
literary festivals are really encouraging for
poets to expose their
literary works to the world. Contests will always
motivate the writer to keep
scribbling.
Poets as well must be
self-inspired to inspire the world.
5. If your 2017 haiku submission were food, what would it be?
It will surely be 'Banku' an energy giving
food prepared with corn and
cassava dough relished by
virtually ever Ghanaian. It is one of the most
popular food in Ghana enjoy
with all kinds of soup, stew and hot paper
before and after an energy
sapping work.
Everybody likes it!
Read Kwao’s haiku here
under the bright moon,
fairy tales bring chill bumps
around log-fires
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
Wednesday, July 26, 2017
OSEMWENGIE ZION FEELS AT HOME WITH THE HAIKU
Osemwengie Zion (Courtesy photo)
WHAT DREW YOU TO ENTER FOR THE COMPETITION?
Having stopped writing haiku for some time, the competition came as a path leading one home and I couldn't help but follow. When I wrote my first haiku, I had a deep connection with it but gradually, the love started to wear out till we became silent lovers on separate shores bearing broken memories of the sweet past.
So when submissions were called for, I hurried to write mine not mainly for the contest but as a way of an errant coming back. A lover returning home after all is spent.
DO YOU HAVE A PARTICULAR STORY WITH HAIKU?
The first haiku I wrote was in 2014 for a contest organised on Facebook to promote haiku. When I read about it, I rushed to learn a few things about the style. It was not just a style but a world of its own. It was beauty locked in a small room. However, after that time, I wrote quite a number of them until the love wore out.
WHAT DO YOU FEEL GENERALLY TOWARDS THE SHORTLIST?
Haiku is melting a century into the body of a decade. It is telling so many in very few. The task before the poet is a very taxing one and anyone who can write such poems is a miracle.
The shortlist is indeed magic and the writers are a miracle. The poems are beautiful.
What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?
Writing in times like this is difficult but not impossible. Writing should not be seen as a substitute for anything but as a soul without which one can not live. To keep writing, place value on it and see it as breath. Motivation comes from within and the value we place on things determines how we see them.
IF YOUR 2017 SUBMISSION WERE FOOD, WHAT WOULD IT BE?
First, I'm glad it isn't food as the meat of a man may be another's poison.But, if it were, it would have been Éwa Ágoyin, a special kind of beans.Only those who suffer amnesia would forget the taste in a hurry.
We at Babishai, congratulate him again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Tuesday, July 25, 2017
CHARLOTTE AKELLO FROM UGANDA; BABISHAI 2017 HAIKU SHORTLIST
Introducing Charlotte Akello.
Charlotte Akello from Uganda, was shortlisted for the Babishai 2017 haiku prize. She is proud that Ugandans have represented well this year and if her haiku submission was a food, it would be cooked pilau, she says.
What drew you to enter for the competition?
I love writing haikus so when I heard about this competition, I decided to submit.
I love writing haikus so when I heard about this competition, I decided to submit.
Do you have a particular story with haikus?
I love nature and I love poetry. It's only natural that I fall in love with haikus. I usually take pictures and transform them to haikus. I started writing haikus last year and there's nothing more relieving. I can still capture memories with haikus even when I don't have a camera.
I love nature and I love poetry. It's only natural that I fall in love with haikus. I usually take pictures and transform them to haikus. I started writing haikus last year and there's nothing more relieving. I can still capture memories with haikus even when I don't have a camera.
What do you feel towards the shortlist in general?
It's great. I love the depth in the little poems. Too much is said in a few syllables. I also love the fact that Uganda is well represented unlike last year. This shows that Ugandan poets are getting on board.
It's great. I love the depth in the little poems. Too much is said in a few syllables. I also love the fact that Uganda is well represented unlike last year. This shows that Ugandan poets are getting on board.
What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?
Poets need to be patient and aim to become better each day. Some poets tend to give up after a year or 2 yet writing in general needs a lot of patience.
Poets need to be patient and aim to become better each day. Some poets tend to give up after a year or 2 yet writing in general needs a lot of patience.
If your 2017 submission was food, what would it be?
Pilau. It is eaten on festivals but everyone has his or her definition of a perfectly cooked pilau.
Pilau. It is eaten on festivals but everyone has his or her definition of a perfectly cooked pilau.
Here below is Charlotte's haiku.
swimming in the calm night pond--
another festival
Charlotte Akello is proud that Ugandans are representing well this year. We at Babishai, congratulate her again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862.
The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
Monday, July 24, 2017
FRED KWEKU FORSON FROM GHANA -#BABISHAI2017 HAIKU SHORTLIST
-->
Fred Kweku Forson from Ghana, was shortlisted for the 2017 Babishai Haiku contest, inspired by one of last year;s winners, Kwaku Feni Adow, also from Ghana.
What drew you to enter for the competition?
I knew nothing
about haiku as a type of poetry until one day on Facebook I read that a
Ghanaian, Kwaku Feni Adow had won a haiku contest. I became curious and began
to search for the meaning of haiku and all that it entails. After reading a
little about it online and a lot more of the haiku others have written
especially from the Mamba, I knew I could also be a haiku poet.
The opportunity
then presented itself when I read on Facebook of a call to submission of haiku
to the 2017 edition of the Babishai Niwe Poetry Foundation haiku contest. I
didn’t waste time but began to pen some images/scenes and sounds down. I then
submitted the first three haiku I ever tried my hands on and, hooray, it’s been
shortlisted.
Do you have a particular personal story with haikus?
I’ve been
writing poems especially rhymes at my leisure times and whenever I wrote one, I
would ask my younger brother to proofread for me. I really do worry him with
that. He thinks I’m very good at the poems I write but frustrated since
I’m not gaining anything from it. He feels I’m wasting that talent. Because of
this, he would sometimes refuse to proofread my poems.
When I wrote the
shortlisted haiku, I read it to him and asked him whether he finds any sense in
it but he asked me to leave him alone and that he has better things to think
about. I didn’t tell him I was submitting it for a contest though. So when he
read of my haiku having been shortlisted in a contest, he came back from work
that evening and reminded me of how he paid no attention to me when I asked him
to ponder on the shortlisted haiku for me. We all laughed over it because he
was so excited for my haiku having been shortlisted.
What do you
feel towards the shortlist in general?
After going through the shortlist, I was wowed by the exhibition of great African talents in haiku. It feels so intriguing to read such images and sounds briefly penned down by fellow Africans who respectively see and hear far beyond those images and sounds.
What motivation do poets need to keep writing, in this ridiculously
competitive world that vies for their attention?
I believe the
greatest motivation of every poet is from within himself, the moment you begin
to see and feel something within you, and you just can’t help it but to artistically
express it in writing.
But one big
external motivation of every poet, I believe, is knowing that his poems have a
wider audience across the world and people actually find inspiration in his
poems. Therefore, poets and their poems must be given the necessary exposure
through competitions and features in journals like what Babishai Niwe Poetry
Foundation and the Africa Haiku Network have respectively started doing, etc.
If your 2017 submission was food, what would it be?
“Apapransa” is a
Ghanaian delicacy prepared with corn flour, and that is what my 2017 submission
would have been. “Apapransa” is best enjoyed when it is made to be pregnant
with chops of salted fish and any other fish deemed necessary and garnished
with palm oil. The delicacy is not too appetizing or attractive at the mere
sight of it but, the moment you begin to take bites of it and you gently
continue to masticate it, you will definitely end up grabbing the chops of fish
hidden in it. This immediately gives you a different and even more delicious
taste.
When you first
read my 2017 haiku submission at a glance, you may just be tempted to think of
it as a mere construction of words in a sentence. Much meaning may not be seen
it. But if you take your time and carefully read through it, you will end up getting
the deeper messages and lessons embedded in it. Then, you will appreciate my
haiku the more.
Let my haiku
speak to your mind, soul, spirit and your life!
Fred Kweku Forson Ghana, is a foridable talent. We at Babishai, congratulate him again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862 The full festival programme is here.
The full winning haikus are here:
Follow us on Twittter @BNPoetryAward
Subscribe to:
Posts (Atom)