Showing posts with label BN Poetry. Show all posts
Showing posts with label BN Poetry. Show all posts

Monday, April 27, 2015

#WRITINGFORLIBERTY, RECAP AND RE-INVENT, APRIL 2015



Writers at the #writingforliberty Conference, 17 to 18 April 2015, Lancaster University (courtesy photos0


Veronique Tadjo, left. (courtesy photo)

BN Poetry Foundation board member, Graham Mort, shares the birth of the Transcultural Writing center at Lancaster University. It’s still a work in progress and so much can be celebrated from it. Lots of works around the world, schemes that promoted great writers from various regions of Africa, programmes for writers in other parts of the world and publications dated almost two decades ago are all products of the center.
During the two day Writing for Liberty Conference, keynote speaker Véronique Tadjo said that while freedom of expression is ideal and essential, we cannot forget that we still live in a world and our words have effect. Freedom too, changes over time and with different cultures. The more she spoke, the more she unearthed layers of complexities in freedom and democracies across the world. Citizens in certain countries, unlike others, fear for their lives during election period. Freedom, therefore, can never be one set concept.

The Writing for Liberty Conference was a synergy of so many authors, academics, opinions, researched truths, a melting pot of international and creative ideas. There were many highlights and a few of which I attended include Roger Bromley’s Body, Language, Resistance: the Unfinished Song of Bobby Sands. The writings of Irish political prisoner, Bobby Sands, as a physical act of freedom, as a deeper more emotional act and the other prisoners who participated in all forms of protests, finding ways of communicating on toilet paper and the more important impact of these struggles.
Not Stones But Birds: Translating Resistance and Reading Solidarity in the Contemporary Palestinian Poetry Anthology. This paper by Anna Ball identified how literature formed an important part of the Palestinian struggle but more so, how the poetic voice represented voices and ideals beyond Palestine. The anthology of poetry, edited by Henry Bell and Sarah Irving is translated into four languages namely English, Scots, Gaelic and Shetlandic. The conference ended with a performance from this ambitious work of art and recordings from the translations, affirming how music and rhythm are essential to poetry and raising interesting questions on translations.

Meg Vandermerwe highlighted the always important topic of writing for the other in her paper, The Ethics of Imagining the Other in Contemporary South African Writing. It’s contentious to imagine who has the right to write for the other. Her discussion brought up questions of authenticities and ownership of stories, subtleties of superiorities as authors super impose themselves over the other and so on.

It was daunting for me to speak on A Thousand Voices Rising, Anthology of Contemporary African Poetry, a BN poetry publication but very settling to Africas, its borders, safe spaces for expressions within Africa’s many countries and share about poetry’s power.
The Writing for Liberty conference was the start of many discussions, providing platforms for discourse in this ever-changing world and recognizing that liberty, freedom and authorities are changing landscapes.

Written by Beverley Nambozo Nsengiyunva.

Beverley Nambozo Nsengiyunva is a Ugandan poet, certified leadership trainer and founder and director of the Babishai Niwe (BN) Poetry Foundation for African poets. She is also the founder and director of the Babishai Niwe Leadership Academy for Women and Girls in Africa. She was Uganda’s 2014 BBC Commonwealth Games Poet for the poem, Lake Nalubaale. In 2013, she was long-listed for the Short Story Day Africa prize and shortlisted for the Poetry Foundation Ghana prize. In 2010, she was first runner-up in the international erbacce-press poetry competition and her poetry chapbook collection, Unjumping, was published by erbacce-press in the same year. In 2012, she received a Distinction in Masters in Creative Writing from Lancaster University. Her works have appeared in Wasafiri, Drumvoices Revue, Kwani? Postcolonial journal, Lawino Magazine, Short Story Day Africa, New Black Magazine and many others and translated into many languages.
She currently lives in Kampala with her husband and children and is working on her first novel, Elgona.

Monday, February 23, 2015

#LOVEROMANCENEGIBENDERAKO MU KAMPALA -READING AND LOVE 13TH FEBRUARY 2015

#loveromancen’ebigenderakomuKampala






Were you there for the Babishai Niwe Poetry Day Time Series? Well, on 13th February, Valentine’s eve, if we may add, #Loveromancen’ebigendeerakomuKampala happened. Love, Romance and the things that follow in Kampala. The first poetry reading event of its kind, held from 10:30am and 12:30pm at 32° East | Ugandan Arts Trust.
25 of us settled down to a good session on poetry, based on exactly that, Love doveyness of romance in Kampala. It was difficult to know how the session would run. There were copies of poetry books on sale, A Nation in Labour and A Thousand Voices Rising, delicious chocolate and vanilla Wordy Cakes, roses to pick from and a sweet-smelling aroma of love. Paul Kisakye, owner of Wordy Cakes, rendered us helpless with his poem, Missing You,
Missing You
missing you
like a terminal disease
that one endures
but can't get used to

 first published here: http://paulkisakye.blogspot.com/2012/05/missing-you.html
Roshan Karmali, moderator and host of Poetry in session revealed her forthcoming collection, one we’re all looking forward to, a collection which unfolds in two parts, Angels and Demons. Rosh poetically submitted  us into another spiritual experience. For her, the entire reading was such a refreshing experience that she felt she was with long-lost friends at a brunch. How’s that for poetry.
Farida Bagallaliwo read one of Derek Walcott’s famous love poems. Her own interpretation, well portrayed through the melody in the recital brought us into an even deeper surrounding of #loveromancen’bigenderako. As an activist, Farida was particularly pleased that the event began and ended on time, as advertised.
The reading, supported by Poetry in Session, Femrite and 32° East | Ugandan Arts Trust was warming up at this point and there were still quite a number of poets to go. Joel Nevender, blogger and poet, read a parody, of 1 Corinthians 13, the love chapter in the Holy Bible. His rendition was entitled, 1 Valentine’s 13. This also highlights unrealistic views of love and romance on Valentine’s. This changed the narrative with symbols of the absurdities of Kampala City, most of which we laud, amongst them, the recent sex-tape scandals. His two other poems were, The Ones that Don’t get caught and Daisy. The Ones That Don't Get Caught talks about the hypocrisy of society as regards sexual immorality.
Daisy talks about a dream girl that will always be a dream, never a reality.

Caesar Obong, a poet from Northern Uganda, led the readers into a mystical and narrative view of lust and erotica, including the landscapes of love and society amongst various social groups. Roxanna Aliba, a love poet, read from her forthcoming collection which will be released mid this year. Hers is one we should definitely aspire towards.
Half-way the reading we held a mini-launch of Harriet Anena’s A Nation of Labour, a selection of poetry about the irrationality of governance in Kampala, as well as unimaginable pictures of sex at an entirely new scale. Her concise messages remain imprinted and it was a pleasure to have her. Harriet’s book inspired another member to write her own collection. Her poems, Hemline cop, V-Day and We are on heat. Hemline cop is an excellent version of the hypocrisy of the state of governance in Uganda. Further, in Anena’s words:
“The event was a great start in the right poetic direction and I look forward to seeing similar events organized for not just Valentine’s Day but other key days on the Calendar.”
Christine Ssempebwa is a poet whose truths and convictions lie in the verse. Quite new to the poetry scene, she proved herself wrong by calling herself a non-poet. The rhythm and message were everything poetic.
Edith Nakku, a writer and member of the weekly readers-writers club, said of the event said she enjoyed the event and this is what she said,
“I was able to meet people of like and different mind and be inspired by their words, to hear truth spoken in new beautiful ways. Amazing. The time of the meeting was great. No hurry, no hassle.”
Roshan Karmali said,
“It was an insight into loving and living in Kampala from the sex tape to the heartbreak and everything inbetween and a reflection of Love from multiple angles.”
What is love and romance without music? Bosco, a regular at Poetry in session, got out his guitar and sang an all time favourite, How does it feel to be the one that I love? It’s a soft and deep masterpiece, whose lyrics tug at a listener’s heart-strings.
Susanne Aniku, jazz musician and singer brought down the house with two songs. One was written by famous composer George Gershwin in the late 1920s, entitled The Man I Love. It is about a woman longing and dreaming about the man she loves. The second, Susanne’s own song, called Thank you, is a song of gratitude to someone that rescued her when she was down. Both songs will appear in her forthcoming jazz album. Her own poem, Your eyes also reflects her own ability to be soul deep and unapologetically in touch with her emotions.
Heritage Ddamba, a spoken word performer, emotionally took us on a roller-coaster of  a love target in a man’s life. Beverley Nambozo, BN Poetry Foundation founder,  ended the day with her poem, Dear Doctor. A poem about the unsafe spaces of love in Pentecostal churches, of a strong Christian woman, affected by HIV by her god-fearing husband, and having to show gratitude for all he’s done for her.
Many thanks to Moses Serugo for Youtube videos, Dilman Dila for photographs, Fred Batale for the organization, Lamaro Jennifer for the administrative work and to the many that came. And for the twenty or so who thought it was a night-time event, we’ll see what we can do about that next time. Babishai Niwe Poetry Foundation is committed to more poetry and more of you.
#BNP2015
#LOVEROMANCEN’EBIGENDERKOMUKAMPALA
Below are a few videos from the event, done by Moses Serugo and in case you missed it, Dr. Okaka Dokotum highlighted Ugandan women in the arts, raising the writing flag high.


https://www.youtube.com/watch?v=iAlyseIIHdM 
https://www.youtube.com/watch?v=C0J5IxNf4Cs&spfreload=10 
https://www.youtube.com/watch?v=NK4muZsRMFU 
https://www.youtube.com/watch?v=3fcjpk8UlIw 
https://www.youtube.com/watch?v=9aQoo3rnNM0&feature=youtu.be  

Note: BN Poetry Award submissions last year reached 1,500. If you want to participate, submit your poem. Follow the guidelines on our website www.bnpoetryaward.co.ug