Showing posts with label many things. Show all posts
Showing posts with label many things. Show all posts

Friday, March 15, 2013

Too Much sweetness at AWT International Writers’ Conference.

The first story that was told at the Writers’ Conference, which none of us will ever forget did not come from Prof. Jack Mapanje, or Nii Parkes, but from two prostitutes. A Norwegian man died after a night with two prostitutes. Upon their arrest, the prostitutes said that the man must have died from too much sweetness. From 7 to 9 March 2013, African Writers’ Trust organized an international writers’ conference in Entebbe. The Director, Goretti Kyomuhendo, resident in the UK, created this space for us to talk, write, learn and create. It was unforgettable. The dominant theme at the conference was Afropolitanism and the question of continental identity with the mobility of Africans all over the world. There have been large exoduses from decades and decades ago for reasons ranging from seeking alternative education and economic opportunities, tourism, escaping political strife and so on. And then there were questions about returning to the continent and if it really did feel like home. In his keynote address, Prof. Mapanje, renowned Malawian poet did not have a solid answer as to whether returning to Malawi after two decades in the UK, really felt like home. The conference had several writers from the diaspora whose names were followed by Accra/UK, DRC/Norway, DRC/Netherlands and Uganda/UK. This is the real situation of many who have lived and continue to live across two continents and for many reasons, unable to identify one single country as their home. It is an indisputable reality and one that I learned from after hearing their stories of challenges of living as a writer in the West. Contrary to the justification many of us try to give ourselves when we are not writing or pushing our creativity beyond its limits, we who live here want to believe that ‘they’ in the West, have it easier because they live next door to publishers, dine with literary agents and have coffee with prize givers. Hardly. They too have 24 hours in the day with which to work and create, have children to look after and bills to pay. Did I mention that the weather most times in unfavourable and can be compared to Margherita peak on Mt. Rwenzori. And nothing brought made this clearer than the readings from Kwani? 07, which Doreen Baingana and Kalundi Serumaga opened up to us. Billy Kahora, managing Editor of Kwani? led a very reflective session and explained the motivation for the theme for the latest edition of the East Africa literary journal, Kwani?, which was Africans in the diaspora Doreen’s was a true account of being mistreated at the immigration department before entering the United States. The confrontation by the officials because of the choice she made not to apply for US citizenship and instead return to Uganda, resonates the binary standards of immigration policies. The disparity between the West and the beautiful and complex continent of Africa is further examined in an article by Alphonse Muambi, Congolese journalist currently residing in The Netherlands. The articles entitled, African elections, a naïve European ideal? indicates that the European desire for democracy on the continent is detrimental to the well-being of African populations. There was a lot of discourse as well about how we can collaborate as writers to use available digital tools to widen our audiences and opportunities for publishing and listening to Chikoti’s views on this and his Malawi experience as well as Rais Boneza from Norway/DRC, Dwalu, a children’s author from Liberia and even the Ugandan writers like Beatrice Lamwaka, Hellen Nyana, Harriet Anena, Baingana and Twongyeirwe. It is safe to say that we must tap into the prospects from the internet and keep on writing. The conference was followed by many other events in Kampala, one of which was an African Writers’ evening organized by Nii Parkes, which he runs in England on a quarterly basis. And true to the celebration of Women’s Day, Beatrice Lamwaka read from two different anthologies and bravely bore the Q and A from the audience. Rais entertained us with an oral form of poetry in singing verse and Nii, true to his amazing self, ended on a high with the West African mosquito, detailing the issues of youths in America who live and think like gangsters but are no match for the perils of malaria. Goretti Kyomuhendo is farsighted. The session with employees from Barclays Bank and Stichting Doen, the sponsors of the event, discussing possible collaboration with the literary arts is testimony to this. She embraces challenge with a dignified fierceness and I am so grateful. I am honoured to have met astounding writers from Uganda, the entire continent and the diaspora, from whom I picked incredible wealth for my own writing. Asanteni! By Beverley Nambozo Nsengiyunva

Monday, October 1, 2012

Paula Biraaro's story at Storymoja Hay Fest 2012

13th to 16th September 2012 found me in the city of Nairobi attending the StoryMoja Hay Festival held in the fabulous setting of the National Museum. My participation in such a great event resulted from being a second winner of the Fourth Beverley Nambozo Poetry Award 2012 under the theme Music with my poem entitled ‘Nyamwezi’. I attended this event with Ms. Beverley Nambozo and Ms. Susan Piwang (winner of the award) and our trip was proudly sponsored by Stichting Doen. The journey to leading this festival is still kind of surreal to me. As I sat en route to Nairobi, I had series of flash backs. I remembered lying on my bed at 10 pm tapping my laptop keys as my mind juiced words that would eventually be the poem ‘Nyamwezi’. I remembered getting the invitation for the award dinner, hearing my name being announced as a second winner and my unexpected scream of joy that tore out of my mouth. I remembered thinking ‘How can this be? ‘Who am I to win this?’ and ‘Am I a really a poet?’ Such questions darted across my mind as I read my poem to the audience. Not only had my work been commended and recognized, I had won USD$300, five autographed books authored by great African women writers and the icing on the cake was a fully sponsored trip to attend the StoryMoja Festival in Nairobi! From arrival to departure, we hit the ground running for the StoryMoja team had organised an action packed crash course programme. At the festival launch at the Nairobi Museum courtyard I felt a little intimidated as I looked at these ‘strangers’ who seemed to know each other throwing hugs and kisses with shouts of laughter burst from their lips. Upon our introduction my perception slowly changed. These strangers later on became acquaintances, mentors and in some few cases friends. We were all warmly welcomed and Susan and I were congratulated upon our achievement. Sure, I was a novice in their world but I begun to see myself through their eyes, patting myself on my back and thinking ‘Paula, you can do greater things, this is only the beginning!’ I attended master classes under the tutelage of thought provoking award winning novelist Dinaw Mengestu. I got to appreciate the importance of careful scrutiny every sentence and message it conveys when writing a book/short story, communication with the audience, and how individuality and originality makes the difference.
Susan Piwang, Dinaw Mengestu and Paula Biraaro. Photo by BNN The effervescent Lemn Sissay took us through exciting poetry exercises that changed my outlook on power of words, expression and description. I got to rub shoulders and prod some brilliant minds of amazing, famous writers who were surprising humble and willing to share their experiences. Their words of advice centered towards following your dream, persistence, hard work and to keep writing! I was so blessed with their words of advice and encouragement which I treasure and heed to date. The true test in this whole experience was when I had to present my poem before an audience as a guest panelist at the poetry gala. This was a totally different league! Imagine sitting on the same panel with renowned poets, some internationally acclaimed, sharing your experience and presenting your poem. A concoction of feelings of excitement, fear, determination flooded my mind as I sought to achieve this feat. Thankfully, everything went smoothly, I didn’t choke and it was turning point on how I regarded my talent and I vowed to exploit it to its full potential. The last event climaxing the festival was the play written, directed and acted by the Sitawa Namwalie. It was enlightening to see her vivid poetry through performance which helped send her message home. I am grateful to BN Poetry for the horse kick to using my gift and I can proudly say that I am no longer a ‘closet poet’. Danke Schon to Stichting Doen for their financial support and I salute Beverley and Susan for being entertaining company! I had a blast! My prayer is for Uganda to plan and organize for such an event in Kampala. There is a saying that your life can change in a moment. Mine changed in those captivating three days. Thank you.

Tuesday, August 28, 2012

Feminist Leadership Institute Novemver 2012, Nairobi

The fourth Feminist Leadership and Movement Building Institute is a five-day course designed to strengthen feminist leadership, strategies, and collective power for social transformation in Africa.
The leader of an elephant pack is a female, called the Matriarch The Institute will combine reflection on the current political landscape as well as past organising strategies for women's rights in Africa by using a trans-movement building approach. Looking at diverse movements in Africa and globally, participants will be able to relate some of the experiences and lessons from these movements to their own contexts, countries, and regions. This Institute will be held in collaboration with GROOTS Kenya and Akili Dada. Course Content The movement building approach challenges groups to critically assess how they have organised themselves to achieve their social justice goals. In particular, it enables participants to explore their political agenda, involvement of constituents, and strategies for collective action underpinned by reflection. Using a movement-building lens, the process will allow participants to build their knowledge on the theoretical underpinnings of movement building, synthesised from analyses of global movements. Additionally, participants will identify the different intersections, interactions, common spaces, and challenges that social movements encounter when collaborating on issues of women's human rights. From this, they will critically assess pre-existing resources of the women's movement in Africa. They will also identify and explore concrete strategies to strengthen links between movements to advance women's human rights more collectively. The Institute will cover the following topics: - Social movements and power-concepts and theory - Movements, organizations, and leadership-theory and practice - Current issues and challenges of the women's movement in Africa - Women in peace and conflict resolution - Women's political participation - Assessing our impact-approaches and tools The Institute will foreground reflection at the personal and institutional levels, which will both enable and challenge participants to strengthen their leadership skills and strategies to effect real change for women's rights and social justice in Africa. Participants To participate you must: - Be a woman between 25 and 45 years of age - Reside or work in East Africa (Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Somaliland, Tanzania, and Uganda)**** - Have a minimum of 3 years of experience working on gender issues, women's rights, development, and/or youth activism (voluntary or employment) - Be able to demonstrate how you will use what you learn at the Institute in your work and how you will continue to participate in follow-up activities - Have a working knowledge of the English language Venue and Dates The fourth Feminist Leadership and Movement Building Institute will be held in Nairobi, Kenya, during 5-9 November 2012 (Begins 9 am on 5 November; Ends 4 pm on 9 November). Travel and Visa Participants are responsible for incurring their travel costs to and from the Institute, and obtaining their own visa. CREA will assist with the visa process by providing a letter of invitation and required visa letters. Costs Tuition, accommodation, and meals for the duration of the Institute will be covered by the organisers. Participants will be required to pay a registration fee of USD 50. Participants must cover their own travel expenses. A limited number of travel scholarships are available on a need basis. Accommodation Accommodation will be on twin-sharing basis. Application Only applicants residing and working in East Africa (Burundi, Djiboutim Eritea, Ethiopia, Kenya, Rwanda, Somalia, Somalialand, Tanzania and Uganda) are encouraged to apply. Deadline: 10 September 2012 Applications are due on or before *10 September 2012*. To apply online, click eminist If you experience difficulty with the online method, download the application from CREA's website (www.creaworld.org) and e-mail the completed form to Sushma Luthra at sluthra@creaworld.org or to CREA at crea@creaworld.org. Send any queries to Ms Luthra as well.

Tuesday, February 14, 2012

Poetry award website it up

Did I mention that the website is now up...go to www.bnpoetryaward.co.ug and women, submit your poems, the theme is Music, deadline is 18th May. Check up at the banner for details..



This was a poetry training workshop at Rainbow International school last week. I loved it and so did the kids!!