A THOUSAND VOICES RISING: AN ANTHOLOGY BY AFRICAN POETS

This anthology is a collection of personal journeys of Transculture, freeing our literary minds from critical attitudes. It is a summation of many conversations, lots of reading, sharing of dreams and taking risks so that this product would come to be. It is a product of BN Poetry Foundation work. The compilation and editing was done by Beverley Nambozo Nsengiyunva. In 2009, I began an annual poetry award for Ugandan women because I felt sincerely that poetry would change the political, economic and social system in Uganda and corruption would recede with each new verse from well-meaning poets. While there has been significant positive change and growth over the past five years from the award, the system remains the same. We can still however, through poetry, free ourselves from the rigor of this very system. I still believe in art for social change but more profoundly, I believe that poetry ultimately frees individuals. Poetry is borderless, colourless and timeless. It speaks every language and understands every joy and predicament. It is fine literary art. While I do believe in the advantages of discipline and structure from academia, family and tradition, I firmly believe that within that, we can still be free. Members of the writers here were part of the Crossing Borders writing and Radiophonics mentorship programmes which ran from 2001 to 2010. The mentors from Lancaster University used creative virtual discourse to engage the writers. There are poems here from novices, winners of the Caine Prize, Sillerman Book Prize the BN Poetry Award and those shortlisted for Poetry Foundation Ghana prize, the African Poetry Book Fund prize, Short Story Day Africa, those published and unpublished, poems about heartbreak, genocide, love, leadership, inspiration, next door neighbours, money, faith, landscape, personal journeys, family, children and education. There are poems from spoken word poets and from timid poets those who speak English as a second language and have translated their poetry from Luganda, French, Acoli, Runyakitara. Poems from Algeria, Caribbean, The Democratic Republic of Congo Ghana, Kenya, Liberia, Malawi, Nigeria, Rwanda, South Africa, South Sudan, Tanzania, Uganda, Zimbabwe and poets based in Norway, The U.K and The U.S. That is the essence of this anthology. It is about new life and old life, about every day, the past, the future and the unknown. We have decided to include African Poetry in the title because of many reasons, one of which can be summarized from Tendai Huchu’s essay, The Problem of The African Reader, published in Afro Futures magazine in 2012. He said that while African writers argue that Western writers do not suffer the same limiting label, a large fundamental cause is because African writers can barely exist without the larger Western audience and until more readers emerge from our continent, this problem will remain. I did not help the poets in this anthology to write but merely guided a few in the process and I know that with extensive reading, their literary desires will be met. As Professor Rainer Rilke said in Letters to a Young Poet, “There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple "I must", then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose.” Beverley Nambozo Nsengiyunva Founder of the annual BN Poetry Award that coordinates annual poetry competitions for Africans. BN stands for Babishai Niwe, formerly, Beverley Nambozo. http://www.bnpoetryaward.co.ug http://bnpoetryaward.blogspot.com

SECOND PICTORIAL, BN POETRYAWARD CEREMONY 2013

BN POETRY AWARD 2013 FIRST PICTORIAL

RASHIDA NAMULONDO WINS BN POETRY AWARD 2013

TIME In the corridor of time I peeped through the keyhole of 2099. The television said the nuclear war might be tomorrow The radio said, The globe has warmed up And the North Pole has melted away The phone said to the man with it, Evacuate! The government experiment was a disaster and The virus is on the loose. I saw people being chased and about to be caught up by time Voices out in the window screaming Let’s escape to AFRICA Maybe it was left untouched. So I peeped through the door of 2015 I saw black women importing Western ideas I saw their children throw away their customs Old men dying without writing down their history I saw black women go to school to learn to be white I looked around to see if anyone was against it but none So I peeped through a door with no label Must have been timeless time Its people respecting each other’s culture They didn’t cut the forest They didn’t pollute the air They worked together Nature was pleased with them I wanted to open and run in but it was locked. So I opened back to 2013 And sat down Thinking how I can save the world So I told the world in a poem Hoping they would listen. Namulondo Rashida is the overall winner of the BN Poetry Award for 2013. This poem, Time was enchanting, gripping, refreshing and musical. The theme for the 2013 award was Innovation. Rashida wins a fully sponsored trip to the Storymoja Hay Festival in Nairobi alongside cash prize of 500 US Dollars. She also wins autographed copies of poetry, autographed copies of Diaries of a Dead African, by Chuma Nwokolo, Jr. ,Songs of paradise by Justice James Ogoola and autographed copies of Tropical Fish by Doreen Baingana. http://bnpoetryaward.blogspot.com, www.bnpoetryaward.co.ug RA

BN POETRY AWARD 2013 -DEADLINE EXTENDED TO JUNE 1, 2013

The 5th and final BN Poetry Award for Uganda. Theme: Innovation Deadline for submission extended to June 1 , 2013 As we celebrate the 5th and final BN Poetry Award for Uganda, the theme of Innovation is most suitable because 2013 is about originality, modernization, freshness and in 2014, we’re taking the award to an international level. Guidelines for the award: • The theme is Innovation and you may submit a total of three poems under this theme • The award is open to Ugandan women above 18 years and who are residents of Uganda • The poems must be sent as word attachments in Times New Roman Size 12, single-spaced • Submit poems by email to bnpoetryaward@mail.com or post to P O Box 34942 Kampala, Uganda • For more details, follow the facebook page, Babishai Niwe Poetry Foundation or blog: http://bnpoetryaward.blogsot.com or website: www.bnpoetryaward.co.ug • DEADLINE EXTENDED. Submission will be accepted up to June 1 2013 at Midday, East African Standard Time. PRIZES: • The first 3 winners will attend a fully sponsored trip to the Storymoja Hay Festival in Nairobi alongside cash prizes of 500 US Dollars, 300 US Dollars and 200 US Dollars respectively. • The first 3 will also win autographed copies of poetry, autographed copies of Diaries of a Dead African, by Chuma Nwokolo, Jr. and autographed copies of Tropical Fish by Doreen Baingana

2013 BN POETRY AWARD-GRAND FINALE FOR UGANDA

The 5th and final BN Poetry Award for Uganda.

Theme: Innovation As we celebrate the 5th and final BN Poetry Award for Uganda, the theme of Innovation is most suitable because 2013 is about freshness, taking risks, grand gestures and success. In 2014, we’re taking the award to an international level. Guidelines for the award: • The theme is Innovation and you may submit a total of three poems under this theme • The award is open to Ugandan women above 18 years, who are residents of Uganda • The poems must be previously unpublished, written in English and sent as word attachments in Times New Roman Size 12, single-spaced • Submit poems by email to bnpoetryaward@gmail.com or post to p o Box 34942 Kampala, Uganda • DO NOT add your contact details to the poem, only the title of the poem. Instead, include your name, poems’ titles, email address and phone number in the body of the email • For more details, follow the facebook page, Beverley Nambozo Poetry Foundation or blog: http://bnpoetryaward.blogsot.com or website: www.bnpoetryaward.co.ug • Submissions will be accepted from 7 January 2013 to 5 May 2013 Prizes: The first three will win autographed copies of poetry. The first three winners will also be awarded autographed copies of Diaries of a Dead African, by Chuma Nwokolo, Jr. In September 2013, the winners will furthermore attend a fully sponsored trip to the Storymoja Hay Festival in Nairobi alongside cash prizes of 500 US Dollars, 300 US Dollars and 200 US Dollars respectively to use at the festival.

BN POETRY AWARD GOES INTERNATIONAL-IT'S TIME.

Hello, this message is for you-you who have been there for the team during the arduous and rewarding years of putting the BN Poetry Award together.

(Photo taken from one of the art pieces at Kenya National Museum) Thanks for being a heads up kind of person during the 4 past BN Poetry Award ceremonies. Next year 2013, will be the last annual poetry award for Ugandan women living in Uganda because, we have decided it is time to live larger. From 2014, the award will increase to include both female and male poets from East Africa. The award has achieved significant success in Uganda with remarkable aplomb amidst support from the media, individuals and other literary groups in Uganda and in honour of the surprises of poetry, it's time to show how radical and real poetry can be. If there ever was a time, it's now. Further to that, the award will also target Ugandan Women in the Diaspora , specific to regions. For example, in 2014, target Ugandan women in Southern Africa, 2015, Ugandan women in the U.K, and with the succeeding years, a new region. These ideas were augmented from the intense individuals whose ideas are like a springboard whenever we sit for our roundtable discussions. of the BN Poetry Foundation. Currently, we are still accepting poems from poets from Eastern Africa for an anthology thanks to funding from Prince Claus Fund. If you are interested, send the poems to bnpoetryaward@mail.com as a word attachment with your contact details. The deadline is end of December 2012. 2013 is going to be an intense fundraising year and a great time to be alive. Have a memorable week and you may follow us on facebook at Beverley Nambozo Poetry Foundation and this Friday and Saturday from 6:00pm, Lantern Meet of Poets will be holding a recital at The Uganda National Cultural Center (National Theater), tickets at only 10,000/-.

Susan Piwang shares her story at Storymoja Hay Fest in Nairobi

The Storymoja Hay festival, as I understood it, is a celebration of literary work in Africa. Storymoja collaborates with Hay Festival, a group that runs literary festivals worldwide. It is a chance to have new, young writers meet famous authors and learn more about writing; to discover the mystery of literature (which, if you are already an author, isn’t a mystery at all), and in general a great big jamboree that revolves around books. After attending it, you should walk away thinking, ‘ah, how proud I am to be literate!’ And I did.

Poetry Masterclass with Lemn Sissay I attended under the Beverley Nambozo Poetry Foundation. As winner of the fourth poetry contest I was awarded a full-expense paid trip to Nairobi to attend the festival. The most significant change I experienced is of course actually winning the prize. I have been used to getting compliments on my work which made me think that in the very least my writing was ‘okay’. But winning this competition was a leap away from the mediocre state of average. I had thought I’d have a chance at second, or third. First place was a daring dream that I honestly thought would remain a dream. Winning the prize was overwhelming; it was a blatant declaration; a foghorn blaring in my ears and shaking my settled brain: YOUR WORK IS NUMBER ONE MATERIAL! CONGRATULATIONS!!!!!! Don’t worry about any brain damage. If anything, my brain is working better than ever. I think it had been still for too long and was on the verge of stagnancy; I needed the shake up. Winning the prize opened the door to a hall of a million more doors, all holding many opportunities behind them. I have never attended anything like the Storymoja festival until now. I never even thought there could be those many people willing to do so much for the love of reading—in one country, I mean. It was a change to be a part of such a wonderful group and not to be looking on from the outside. To know that I wasn’t there because someone-or-other pulled some strings (not that I have ever gotten anywhere that way), but on my own merit, with my own work, because of my writing. My work is no longer the profound sentiments I scribble down in secret and recite to an audience of one—me. I was listened to, appreciated and congratulated. Yes, at eighteen, I made my mark.

Susan Piwang at the Poetry gala The whole experience was encouraging as well. Being in the middle of all those great literary minds was a motivation. The energy of the entire event commanded my slowing molecules into movement and I highly doubt they will ever stop again. I have become a literary perpetual motion machine! Need I say more? The Beverley Nambozo Poetry Award is a voice for the mute, a stage for the timid and a chance for those with none (I know that’s so cliché, but it’s still very true). I’m just glad it happened to exist at the same time I did and that I could be part of it.

Paula Biraaro's story at Storymoja Hay Fest 2012

13th to 16th September 2012 found me in the city of Nairobi attending the StoryMoja Hay Festival held in the fabulous setting of the National Museum. My participation in such a great event resulted from being a second winner of the Fourth Beverley Nambozo Poetry Award 2012 under the theme Music with my poem entitled ‘Nyamwezi’. I attended this event with Ms. Beverley Nambozo and Ms. Susan Piwang (winner of the award) and our trip was proudly sponsored by Stichting Doen. The journey to leading this festival is still kind of surreal to me. As I sat en route to Nairobi, I had series of flash backs. I remembered lying on my bed at 10 pm tapping my laptop keys as my mind juiced words that would eventually be the poem ‘Nyamwezi’. I remembered getting the invitation for the award dinner, hearing my name being announced as a second winner and my unexpected scream of joy that tore out of my mouth. I remembered thinking ‘How can this be? ‘Who am I to win this?’ and ‘Am I a really a poet?’ Such questions darted across my mind as I read my poem to the audience. Not only had my work been commended and recognized, I had won USD$300, five autographed books authored by great African women writers and the icing on the cake was a fully sponsored trip to attend the StoryMoja Festival in Nairobi! From arrival to departure, we hit the ground running for the StoryMoja team had organised an action packed crash course programme. At the festival launch at the Nairobi Museum courtyard I felt a little intimidated as I looked at these ‘strangers’ who seemed to know each other throwing hugs and kisses with shouts of laughter burst from their lips. Upon our introduction my perception slowly changed. These strangers later on became acquaintances, mentors and in some few cases friends. We were all warmly welcomed and Susan and I were congratulated upon our achievement. Sure, I was a novice in their world but I begun to see myself through their eyes, patting myself on my back and thinking ‘Paula, you can do greater things, this is only the beginning!’ I attended master classes under the tutelage of thought provoking award winning novelist Dinaw Mengestu. I got to appreciate the importance of careful scrutiny every sentence and message it conveys when writing a book/short story, communication with the audience, and how individuality and originality makes the difference.

Susan Piwang, Dinaw Mengestu and Paula Biraaro. Photo by BNN The effervescent Lemn Sissay took us through exciting poetry exercises that changed my outlook on power of words, expression and description. I got to rub shoulders and prod some brilliant minds of amazing, famous writers who were surprising humble and willing to share their experiences. Their words of advice centered towards following your dream, persistence, hard work and to keep writing! I was so blessed with their words of advice and encouragement which I treasure and heed to date. The true test in this whole experience was when I had to present my poem before an audience as a guest panelist at the poetry gala. This was a totally different league! Imagine sitting on the same panel with renowned poets, some internationally acclaimed, sharing your experience and presenting your poem. A concoction of feelings of excitement, fear, determination flooded my mind as I sought to achieve this feat. Thankfully, everything went smoothly, I didn’t choke and it was turning point on how I regarded my talent and I vowed to exploit it to its full potential. The last event climaxing the festival was the play written, directed and acted by the Sitawa Namwalie. It was enlightening to see her vivid poetry through performance which helped send her message home. I am grateful to BN Poetry for the horse kick to using my gift and I can proudly say that I am no longer a ‘closet poet’. Danke Schon to Stichting Doen for their financial support and I salute Beverley and Susan for being entertaining company! I had a blast! My prayer is for Uganda to plan and organize for such an event in Kampala. There is a saying that your life can change in a moment. Mine changed in those captivating three days. Thank you.

Poets from Eastern Africa-send us your poems

The Beverley Nambozo Poetry Foundation is compiling poems from poets of East Africa for an anthology which will come out in 2013. This has been possible with the generous contribution of Prince Claus Fund. We kindly request you to send up to a maximum of three original poems in English or in a local language with the English translation, from which one or two will be selected. The winners of the BN Poetry Award from 2009 to 2012, will have their winning poems published and they may submit another for consideration if they so please.

I took this photo at the Nairobi museum, after realising it was not allowed, but it's cute, right? The theme is open and submissions will be accepted from 1st August 2012 to 20th December 2012 (Deadline has been extended). The copyright of these poems will belong to the poets. At the moment, there are consultations with various publishing houses and once a selection has been made, you will be notified. Payment will be made upon publication. Kindly submit poems to bnpoetryaward@mail.com and copy to nambozo@gmail.com. Send poems as Microsoft word attachments in Times New Roman size 12, include your name, email and phone contacts and nationality. This does not mean that we do not appreciate you for taking part in this process. Poets must be from either Burundi, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Tanzania, South Sudan or Uganda. For details on what the BN Poetry Foundation does, visit www.bnpoetryaward.co.ug or you can like us on facebook, Beverley Nambozo Poetry Foundation.

Betty Kituyi gives birth to yet another poem

I want you to know how happy I am with my little poem, Falling, having taken the third position in this years’ Beverley Nambozo Poetry Award! The prizes were great thanks to our sponsors!

Birds at Queen Elizabeth National Park, photo by BNN, 2009 The evening of 29th June 2012 when I read my poem to the guests at the poetry evening, I felt like giving birth to it. The message in the poem coincided with the pain of loss of my village mates in Bududa village who had been buried by landslides. At that moment, my poem carried hope for me and for my people and that meant so much to me. My people needed to hear those words ‘ I am learning from the weeping clouds that falling isn’t dying.’ Maybe there is meaning to this death in my village. May be death is not an end. I keep thinking. Since the award, my poem has been shown off to friends, family and organisations and it feels like sharing a new precious baby to the world: My friend Theresa Wolfwood from Canada says it is a powerful poem with no word out of place. Sumeet Glover a UK based poet and a friend to Terry, wrote a lovely commentary about the poem and wants to feature it on his website: www. global poetry.com These are his words: “ yes, I do remember this poem, and it was very much on my mind to reply to that email of yours from few weeks back. I was yet to spend time reflecting on this poem, but on the top of my head, I believe it's a beautiful poem. It is a celebration of feminism and it talks of the freedom every woman deserves, especially in Eastern and African societies where gender roles are strictly restricted. After reading this poem a few times, I thought "only if every woman had this sense of inner and outer freedom to just be whoever she wants to be". So yes, it contains a very powerful message for male-dominated and bigoted societies. On the other hand, it contains a very feminine and engaging sense of hope for other women to let themselves out, to breathe free, to let the rain fall, to get drenched in its waters and to walk home. The essence of this poem is a fearless 'awakening' to a woman's freedom. If there was a choice, this poem could also be renamed "fearless". Only if every woman had this freedom! That is my final thought, especially after I recently heard of my cousin sister in Delhi. Her husband has now turned slightly "kind" to give her "permission" to see her mom once in 4 months. Anyway, she has a choice she doesn't want to take. So "Falling" has an important place to let the fears and terror of women to fall away. I went to the Southbank Centre on Friday last week, and attended "African Utopia" debate. There was a panel of journalists of African descent debating how the West is so ignorant about Africa and how only about 20 or 30% of African population has access to Internet. Therefore, I wanted to ask you, if Betty may be interested in having this poem published on Global Poetry site? (the copyrights remain with the authors, GP doesn't hold any copyrights to others' works) I believe this will be a very important voice for African women, and women in general.’ FEMRITE used falling as a table tent that was marketed in restaurants, hotels, bars schools to promote the literally week of activities from 9th – 13th July 2012. Beatrice Lamwaka and Barbra Oketta used it with students of Jane Francis Secondary school in Masaka during their school visit where it was discussed and recited on 28th July 2012. My friend Cathy, a professor of literature at a university in Kuwait has promised to share the poem with her students! For a small poem that began at a kitchen sink to travel these vast distances and find use and meaning to different people in a small period of time, is quite a profound experience for me! It is like a mother watching her child grow and accomplish his dreams. I am extremely delighted and encouraged by the BN Award. Thank you so much for giving a forum for the inner voices of Ugandan women to be heard! Congratulations Beverley for this great effort!

FRAGRANCE, SECOND WINNER BNPA 2010

FRAGRANCE It’s the fragrance, mother; The intoxicating crispy fragrance Of coloured mint coinage. Sometimes the shimmering glitter Of gold or silver. It matters not mother What figures are imprinted on, Just the fragrance! The fragrance that drives me To plunder my core, To pillage my country to nothing, Squandering it to desolation. The fragrance that devours me And sparks hunger pangs, Coercing me to crave and covet theirs Staining my hands with blood It’s the fragrance mother; The musky musty odor Of old and used notes, Sometimes the dull hue of coinage That quenches my thirst and ardor! It matters not mother What figures are imprinted on Just the fragrance mother Just the fragrance. This poem was written by Regina Asinde who emerged second in the BN Poetry Award 2010. She won 150 USD, an autographed book of How to Save Money for Investment by Ken Monyoncho and an autographed poetry collection.

Making Modern Love, first winner BNPA 2010

Making Modern Love We are not like provincial lovers Who wait to stalk funerals That bring opportunities of replacing the departed, Under the watch of the night, in verdant shambas Armed with cash We’ll open our hearts On a plate of chips, with a soft drink Things to nibble and sip, but not too large to distract Maybe chaps? Muchomo and beer later? Chips chicken will soften us for now, And for future food that you commonly acknowledge is delicious. If you should stare in pockets so deep That the residential wallet is unseen by short fingers Soon enough other networks become sexy, Offering side dishes and desserts For we’ll soon meet other friends with longer arms It is constantly recommended by wily winners That going dancing eases misgivings In tender bones, Unlikely to be tempered by the softness of night lights. But if all is careening towards a cold spell Drinks should be laid out till we are released from thinking. We saw a secondary virgin sobbing at a table for two Weighed down by the meanings of disease. We saw a man who had become a man For he knew now, how close he was to the deceased And vaguely inundated with curses of,” Shit happens.” Stumbled away with thoughts that grew from booze And the dregs of making modern love. So while good things begin to afflict us now And beautiful things course through dull heads, Causing wings of desire to grow like mushrooms in a mist Of opportunity, At last. We shall soon make modern love. This poem was written by Sophie Brenda Alal, who emerged first in the BN Poetry Award 2010. She won 250 USD, an autographed book of How to Save Money for Investment by Ken Monyoncho and an autographed poetry collection.

THE HUSTLER-THIRD WINNER BNPA 2010

He roughly pushes through the populous kikubo lane. The titanic load on the head sinking his neck into his torso forcing his body to dwarf. "Fasi Fasi..." his mouth cries hoarsely, his tongue licking rivulets of sweat off his hard muscled face. His rapid pace slows, at the bounds of the thick crowd, his eyes blindly staring at the shoes of those in front of him, waiting hopefully for them to give space. A sharp pain cut into his left ear like water puffed through the nose. The rhythmical throbbing of his heart climbing to the head he felt hot, so hot that it hurt... His blood boiling at an increased degree. His head pounding hard asit swayed up, front and back. "A voice was calling..." His hands weakened letting loose of the load, suddenly his head felt heavy as his whole body slipped away from his will to reach his destination, " I am not going to be paid..." His mind concluded. he felt his head thinning, separating from the load at the jet of his breath as he fell on top of his face. This poem was written by Nakisanze Segawa who emerged third in the BN Poetry Award 2010. She won 100 USD, an autographed book of How to Save Money for Investment by Ken Monyoncho and an autographed poetry collection.

The Rebel Fell, third winner of the first Beverley Nambozo Poetry Award

THE REBEL FELL

Somewhere a bullet pierces a woman,
Beyond the reaped edges of her clan’s farmland.
She gets caught in a thicket whose thorns she does not feel,
Limp feet drag onto a tree whose name the woman does not know
With the sun at her back,
Here breaks the charm for luck.
Off her neck are the fetishes
From the sacrificial white hen, herb and hallowed water
To the bosom of the waiting earth.

The woman slumps, face down-
Watching her life drain away
Now the stained soil seeps from her lips;
Heavily the grain is still in the sack-
drawn to the feast a fly lands on her lips.
The light dips lower as the last sounds
Mute in the darkness, still she droops lower
into a night without mourning.

About her who fell unceremoniously
One day someday shall write;
No rock or wood marks the grave
Of these bleached broad bones
Save for a clump of wild sorghum
Hailing her lost name

By Sophie Brenda Alal
This poem won third prize in the first ever Beverley Nambozo Poetry Award in 2009, the first poetry award of its kind for Ugandan women. Sophia Brenda Alal won a cash prize of 100 USD. T

Better At Dawn--second winner of Beverley Nambozo Poetry Award

BETTER AT DAWN
If I am going home tomorrow
Let it be at dawn
Before I have heard the cock crow
Thrice at noon
But not at dusk
After I have seen lurking shadows on the walls
Neither in the night
When a knock on the door
Shall hang my soul over roasting fire
And set me on a precipice
Let it be at dawn
For then, I shall go fulfilled.
Should I not at dawn
I shall have to return
To settle the score
For I never for got an injury
Never forgave an insult.
To pay the debts I owe
For I was never dishonest
Then, I shall go in peace
At dawn I must depart
So let me go – at dawn
After I have traveled around this world
Eaten all the delicacies
Drank from the wells of Love,Unity and Justice
And tasted all the sweet wine of forgiveness
When I have found my lost treasure
When I have cast all my miseries into the sea
It shall be utter dawn
And I shall be gone.

This poem won second prize in the first Beverey Nambozo Poetry Award. It was written by Catherine Kemigisha. She won 150 US Dollars