APPLY FOR THE 5TH FEMRITE WRITING RESIDENCY, 2013

FEMRITE in partnership with Karavan – Sweden is calling for submissions for the 5th Residency for African Women Writers. The residency program will last be held from 18th - 30th November 2013. The main aim of the residency is to give women space to concentrate on their writing. The 2-week residency will give selected writers the opportunity to reflect on their writing, connect with one another, read each others’ manuscripts and give feedback, interact with established writers and build literary bridges across cultures of the continent. The residency is also aimed at strengthening collaboration among women writers’ initiatives in Africa. How to Apply? 1) Send part of a novel / short Story collection as a word document (40 pages, typed in Times New Roman, font 12, 1.5 spacing). 2) Send one complete short story (Minimum 3000 words) for the 5th Regional Residency publication. 3) A brief bio (not more than 10 lines) 4) Deadline for submissions is 30th May 2013. Who is Eligible? All African women writers above 18 years of age, and living on the continent. Successful applicants will be notified by 30th July 2013. The residency package will include; * A return air ticket for those residing outside Uganda. * Accommodation for the period of the residency. * Meals during the residency period. No application fee is required. For inquiries and submissions, please send emails to: info@femriteug.org info@femriteug.org

Too Much sweetness at AWT International Writers’ Conference.

The first story that was told at the Writers’ Conference, which none of us will ever forget did not come from Prof. Jack Mapanje, or Nii Parkes, but from two prostitutes. A Norwegian man died after a night with two prostitutes. Upon their arrest, the prostitutes said that the man must have died from too much sweetness. From 7 to 9 March 2013, African Writers’ Trust organized an international writers’ conference in Entebbe. The Director, Goretti Kyomuhendo, resident in the UK, created this space for us to talk, write, learn and create. It was unforgettable. The dominant theme at the conference was Afropolitanism and the question of continental identity with the mobility of Africans all over the world. There have been large exoduses from decades and decades ago for reasons ranging from seeking alternative education and economic opportunities, tourism, escaping political strife and so on. And then there were questions about returning to the continent and if it really did feel like home. In his keynote address, Prof. Mapanje, renowned Malawian poet did not have a solid answer as to whether returning to Malawi after two decades in the UK, really felt like home. The conference had several writers from the diaspora whose names were followed by Accra/UK, DRC/Norway, DRC/Netherlands and Uganda/UK. This is the real situation of many who have lived and continue to live across two continents and for many reasons, unable to identify one single country as their home. It is an indisputable reality and one that I learned from after hearing their stories of challenges of living as a writer in the West. Contrary to the justification many of us try to give ourselves when we are not writing or pushing our creativity beyond its limits, we who live here want to believe that ‘they’ in the West, have it easier because they live next door to publishers, dine with literary agents and have coffee with prize givers. Hardly. They too have 24 hours in the day with which to work and create, have children to look after and bills to pay. Did I mention that the weather most times in unfavourable and can be compared to Margherita peak on Mt. Rwenzori. And nothing brought made this clearer than the readings from Kwani? 07, which Doreen Baingana and Kalundi Serumaga opened up to us. Billy Kahora, managing Editor of Kwani? led a very reflective session and explained the motivation for the theme for the latest edition of the East Africa literary journal, Kwani?, which was Africans in the diaspora Doreen’s was a true account of being mistreated at the immigration department before entering the United States. The confrontation by the officials because of the choice she made not to apply for US citizenship and instead return to Uganda, resonates the binary standards of immigration policies. The disparity between the West and the beautiful and complex continent of Africa is further examined in an article by Alphonse Muambi, Congolese journalist currently residing in The Netherlands. The articles entitled, African elections, a naïve European ideal? indicates that the European desire for democracy on the continent is detrimental to the well-being of African populations. There was a lot of discourse as well about how we can collaborate as writers to use available digital tools to widen our audiences and opportunities for publishing and listening to Chikoti’s views on this and his Malawi experience as well as Rais Boneza from Norway/DRC, Dwalu, a children’s author from Liberia and even the Ugandan writers like Beatrice Lamwaka, Hellen Nyana, Harriet Anena, Baingana and Twongyeirwe. It is safe to say that we must tap into the prospects from the internet and keep on writing. The conference was followed by many other events in Kampala, one of which was an African Writers’ evening organized by Nii Parkes, which he runs in England on a quarterly basis. And true to the celebration of Women’s Day, Beatrice Lamwaka read from two different anthologies and bravely bore the Q and A from the audience. Rais entertained us with an oral form of poetry in singing verse and Nii, true to his amazing self, ended on a high with the West African mosquito, detailing the issues of youths in America who live and think like gangsters but are no match for the perils of malaria. Goretti Kyomuhendo is farsighted. The session with employees from Barclays Bank and Stichting Doen, the sponsors of the event, discussing possible collaboration with the literary arts is testimony to this. She embraces challenge with a dignified fierceness and I am so grateful. I am honoured to have met astounding writers from Uganda, the entire continent and the diaspora, from whom I picked incredible wealth for my own writing. Asanteni! By Beverley Nambozo Nsengiyunva

Sumbit your poetry to Wasafiri

Submitting poetry to Wasafiri • There is no limit to the number of poems that you can submit to Wasafiri, although all submissions must be previously unpublished. • Work should be submitted as a Word document or equivalent (no pdfs please, and do not paste your poems into the body of an email). • Please use one page per poem • Your name should not appear anywhere on the manuscript. Instead, please include your name and contact details in a covering letter/email. Please be aware that we receive a large number of poetry submissions, therefore the consideration process can take up to six months. All submissions can be emailed to wasafiri@open.ac.uk and marked for the attention of the Editor. Or addressed directly to: Susheila Nasta Editor Wasafiri The Open University in London 1-11 Hawley Crescent London NW1 8NP UK

Dr. Iddah Otieno seeking poets and short story writers

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I (Dr. Otieno) am looking for short stories and poems for an edited collection of contemporary short stories and poems from East Africa. The dawn of the new century has witnessed significant changes in the socio-economic, political, and cultural landscape in the East African region. The purpose of the proposed volume is to highlight these experiences from East Africa's colonial past to neo-colonial present through short stories and poems. Suggested topics may include, but are not limited to, themes of alienation, search for identity, the changing face of East Africa, education is a changing society, African families in transition, globalization and information technology, among other thematic areas. Contributors should send completed short stories (7-10 pages double-spaced ) and poems (1-2 pages double-spaced) , 12 points Times New Roman to Dr. Iddah Otieno via e-mail at Iddah.Otieno@kctcs.edu by May 30, 2013. Contributors will be notified by June 15, 2013. Any questions should be directed to Dr. Iddah Otieno via e-mail. Please share this with your colleagues. Let me know if you have questions. All entries must include: (1) author name; (2) institution of affiliation; (3) rank; (4) area of expertise; (5) e-mail contact; (6) a 50 word author biography. Thanking you in advance. Dr. Iddah Aoko Otieno, Ph.D. Associate Professor, English Department Director, Kenya Exchange Program Bluegrass Community & Technical College 101 Academic Technical Building Lexington, Kentucky 40506-0235 Office: 859 246 6341 E-mail: Iddah.Otieno@kctcs.edu Http://district.bluegrass.kctcs.edu/iddah.otieno/ Http://www.bluegrass.kctcs.edu

BN POETRY AWARD GOES INTERNATIONAL-IT'S TIME.

Hello, this message is for you-you who have been there for the team during the arduous and rewarding years of putting the BN Poetry Award together.

(Photo taken from one of the art pieces at Kenya National Museum) Thanks for being a heads up kind of person during the 4 past BN Poetry Award ceremonies. Next year 2013, will be the last annual poetry award for Ugandan women living in Uganda because, we have decided it is time to live larger. From 2014, the award will increase to include both female and male poets from East Africa. The award has achieved significant success in Uganda with remarkable aplomb amidst support from the media, individuals and other literary groups in Uganda and in honour of the surprises of poetry, it's time to show how radical and real poetry can be. If there ever was a time, it's now. Further to that, the award will also target Ugandan Women in the Diaspora , specific to regions. For example, in 2014, target Ugandan women in Southern Africa, 2015, Ugandan women in the U.K, and with the succeeding years, a new region. These ideas were augmented from the intense individuals whose ideas are like a springboard whenever we sit for our roundtable discussions. of the BN Poetry Foundation. Currently, we are still accepting poems from poets from Eastern Africa for an anthology thanks to funding from Prince Claus Fund. If you are interested, send the poems to bnpoetryaward@mail.com as a word attachment with your contact details. The deadline is end of December 2012. 2013 is going to be an intense fundraising year and a great time to be alive. Have a memorable week and you may follow us on facebook at Beverley Nambozo Poetry Foundation and this Friday and Saturday from 6:00pm, Lantern Meet of Poets will be holding a recital at The Uganda National Cultural Center (National Theater), tickets at only 10,000/-.

Susan Piwang shares her story at Storymoja Hay Fest in Nairobi

The Storymoja Hay festival, as I understood it, is a celebration of literary work in Africa. Storymoja collaborates with Hay Festival, a group that runs literary festivals worldwide. It is a chance to have new, young writers meet famous authors and learn more about writing; to discover the mystery of literature (which, if you are already an author, isn’t a mystery at all), and in general a great big jamboree that revolves around books. After attending it, you should walk away thinking, ‘ah, how proud I am to be literate!’ And I did.

Poetry Masterclass with Lemn Sissay I attended under the Beverley Nambozo Poetry Foundation. As winner of the fourth poetry contest I was awarded a full-expense paid trip to Nairobi to attend the festival. The most significant change I experienced is of course actually winning the prize. I have been used to getting compliments on my work which made me think that in the very least my writing was ‘okay’. But winning this competition was a leap away from the mediocre state of average. I had thought I’d have a chance at second, or third. First place was a daring dream that I honestly thought would remain a dream. Winning the prize was overwhelming; it was a blatant declaration; a foghorn blaring in my ears and shaking my settled brain: YOUR WORK IS NUMBER ONE MATERIAL! CONGRATULATIONS!!!!!! Don’t worry about any brain damage. If anything, my brain is working better than ever. I think it had been still for too long and was on the verge of stagnancy; I needed the shake up. Winning the prize opened the door to a hall of a million more doors, all holding many opportunities behind them. I have never attended anything like the Storymoja festival until now. I never even thought there could be those many people willing to do so much for the love of reading—in one country, I mean. It was a change to be a part of such a wonderful group and not to be looking on from the outside. To know that I wasn’t there because someone-or-other pulled some strings (not that I have ever gotten anywhere that way), but on my own merit, with my own work, because of my writing. My work is no longer the profound sentiments I scribble down in secret and recite to an audience of one—me. I was listened to, appreciated and congratulated. Yes, at eighteen, I made my mark.

Susan Piwang at the Poetry gala The whole experience was encouraging as well. Being in the middle of all those great literary minds was a motivation. The energy of the entire event commanded my slowing molecules into movement and I highly doubt they will ever stop again. I have become a literary perpetual motion machine! Need I say more? The Beverley Nambozo Poetry Award is a voice for the mute, a stage for the timid and a chance for those with none (I know that’s so cliché, but it’s still very true). I’m just glad it happened to exist at the same time I did and that I could be part of it.

Give me room to move my feet-book launch

Hey, Mildred Barya, Ugandan poet living in the US is launching her third poetry collection, Give me room to move my feet on Tuesday 20 December 2011.

The enthralling book above, Give me room to move my feet published by Amalion Publishing House in June 2009.

The book has some of the most heart warming, ludicrous and entertaining poems I have read in a long time. Mildred will be launching her book at Isha's Gallery on Kenneth Dale Drive Kamwokya from 8:00pm during Poetry in Session. You are all invited. The books will be on sale at 40,000/- only. Time to celebrate the end of 2011 with great poetry.

one of the 100 poems published in this book is below, Stormy Heart.

Stormy Heart

A heart like mine
Fickle,
But generous
I welcome him,
Them
We are us.

Shades start to peel
Revealing hwo they are
Msqueraders.
Once more,
I’ve been deceived.

There are many
Coming through my open door
My sister advises
I should have a selection method
Tight and soundproof
But that way, I tell her
I might block the real thing
Cut the oxygen to my heart
What if there’s nothing left of a heart?
I see splinters.

Another time a friend asks,
Have I any children?
‘No’.
‘I am sure there have been men.’
‘So?’
‘At your age they’ve given you no children?’
‘They’ve given me principles,’
He laughs,
I tell him there’s another thing,
Absent fathers
Missing husbands
Lone mothers
There are too many.

Now I am seated by the ocean
Wind roars,
Waves roll and rock with the shore
Turbulence swells
Just like it is
With my stormy heart.

It's all right, it's only Nawal

It’s all right, it’s only Nawal. And what a formidable woman Dr. Sawaadi is. She and Nadine Gordimer, Nobel Laureate 1991, were amongst the unforgettable faces of the 2nd African Women Writers’ Symposium held in November 2011, Johannesburg. On invitation from Department of Art and Culture and Urban Voices Festival, the creative spaces at the various events metamorphosed into a revolution.

Abena (Ghana), Bev )Uganda) and Roshnie, Urban voices

Diane Ferrus signing her poetry collection, I will take you home, from the title of the poem which was instrymental in bringing back the remains of Sarah Baartman.

Sharing from her not really sordid but memorable childhood, Dr. Sawaadi said that as a child, she could feel the sadness in her mother’s eyes because she was born a girl. Reflecting on the unfairness and injustice of the patriarchal and rigid upbringing she had, made her question God, who favoured boys over girls. Her journal entries from the age of ten have led to the extraordinary Nawal, author of 47 books, 26 of which have been translated. Her strength lies not only in writing but during the early 2011 Arab uprising in Egypt, the 70 something year old camped in Tahrir Square, symbolically revolting against a dictatorship that had destroyed education and had brought unspeakabe injustice. Her life is made up of such moments that have built this courageous woman who even after imprisonment, fights even harder now for just causes.

Nawa, leading a meeting

Nadine Gordimer, whose potency runs like still deep waters, and whose 88th birthday we celebrated amongst much aplomb, opened one of her sessions with a statement that echoed differently with everyone.
“I am not a woman writer just as men are not male writers, we are all writers. We are all in this together. I do not accept a biological difference.”
The reactions varied with some women saying that they embrace their womanhood and Africanness with pride while others agreed strongly. That is how the symposium ran, as panel after panel discussion ran on, from the role of the writer, Africa dreaming and the power of the poetic voice and new ways of reading, writing and networking, it was through this we met extraordinary women. I will never forget Karabo Kgoleng, a journalist with SAfm and her take on social networking, how while it may be useful, she is not interested in what people ate for breakfast. Also, her struggle with placing literary reviews in papers.
Tsitsi Dangarembga, award-winning novelist and film maker said that the nature of good writing should be that it opens up spaces for others, during the panel discussion, Writing Freedom: Reclaiming the future.
The amazing talent during the readings and performances were incredible, from Abena Koomson, US based Ghanaian spoken word performer, Napo Masheane, a founder member of Feela Sista! together with Myesha Jenkins. Other performers were Gcina Mhlope, Samira Negrouche and the list is endless. Another poet I was so happy to meet was Michelle Mcgrane, whose blog I am loving. I’m so glad I could make it and even gladder that this is not the end.

Michelle, in center

Nadine's cake

As an outcome of the symposium, another meeting emerged, The African Arab Creative Women’s Movement. Coordinated by Tsitsi Dangarembga and Nawal Al Saadawi, the aim is to bridge the glaring gap between the women writers from the Arab dominated part of the continent and the rest of the African women writers. The idea looks promising and with a tentative meeting scheduled for June in Cairo, we can only wait for another literary revolution.

Lizzy Attree, Caine Prize administrator, Kadija Sesay, founder of Sablelit Mag and Ellen Namhila from Namibia.