Photos of Michael Onsando visit-photos by Jackee Batanda (apart from the one with her)

MESSAGES FROM GUESTS AT BN POETRY AWARD 2013

Congratulations Beverly. The Femrite family is very proud of you and wish you the very best as you go continental. With best regards, Hilda Hullo BN, thanks for initiating the award and for all the effort you put in to make it happen. I personally have a natural passion for literature and such awards like yours provide a great platform for me to develop my work. I was not an A level literature student because I did sciences. However in my O level i did Literature for 2 years knowing I would not have another opportunity to study the subject. I hope to continually get my writing better through learning and actual writing. Blessed week! Julia K Thank you very much! It was a wonderful evening. Congratulations on the achievements. And thanks for talking about Jali sustainable. Happiness, peace, good health, and love be with you you always. Patience. Dear Beverley, It was inspiring and great having an evening out at the BN Poetry Award! Great: people, music, poetry, food, drinks and you looked great in the african outfit. I congratulate you and indeed BN for a successful event. To the Winner ma congrats. I was touched and happy to have my daughter there-Molly Nalunga as one among the 25 that received certificated. Molly she is a performer with House Of Talent. Thanks for the invite and many thanks for the NUVO festival mention! Bev, It was a wonderful event. You keep the literature light shining brightly in Uganda. And look gorgeous doing it! D Baingana hi Bev, thanks for the wonderful award ceremony...as usual, you did not disappoint... the the guest of honor, the guests, the reception, everything was perfect. I have just viewed the three winning poems and noticed that time is timeless and it set me wondering for the nth time, how do people manage to create like that? Oketta You are welcome Beverly. It was quite an event filled with humour great poetry and great people. Keep it up and may you soar on the continental level. Ivan Mulumba Hi Bev....first a congrats for the immense success of BN, more so on going continental......one word:::: You inspire!!! Ivan Okuda

Virtual Poetry Seminars, Summer Edition, May to July 2013

The University of Iowa's International Writing Program has two poetry online sessions running for seven weeks. The first course i for strong and emerging poets while the Advanced class is for published poets. This is great, it's free and all you have to do is submit a resume, statement of purpose abd writing sample of 5 poems. Send these to iwpapplications@gmail.com. It is about opening doors to invisible people. Deadline to submit is 8 May and it is definitely worth it. According to the website at http://iwp.uiowa.edu/calendar/2013-05-08/applications-due-for-virtual-poetry-seminars-advanced-poetry-seminar-poetry-mast, there will be open discussions with the classics, the old and more modern and contemporary poets. International applicants are encouraged. you just need a reliable internet connection and headset. For the Masterclass, there will be radical ways of revising poems, don't we all need this? The course instructor is Micah Bateman who is a graduate of the Iowa Writers' program and Nick Twemlow is the instructor for the Master class. enjoy!!!!!!!!!!!!!!

Too Much sweetness at AWT International Writers’ Conference.

The first story that was told at the Writers’ Conference, which none of us will ever forget did not come from Prof. Jack Mapanje, or Nii Parkes, but from two prostitutes. A Norwegian man died after a night with two prostitutes. Upon their arrest, the prostitutes said that the man must have died from too much sweetness. From 7 to 9 March 2013, African Writers’ Trust organized an international writers’ conference in Entebbe. The Director, Goretti Kyomuhendo, resident in the UK, created this space for us to talk, write, learn and create. It was unforgettable. The dominant theme at the conference was Afropolitanism and the question of continental identity with the mobility of Africans all over the world. There have been large exoduses from decades and decades ago for reasons ranging from seeking alternative education and economic opportunities, tourism, escaping political strife and so on. And then there were questions about returning to the continent and if it really did feel like home. In his keynote address, Prof. Mapanje, renowned Malawian poet did not have a solid answer as to whether returning to Malawi after two decades in the UK, really felt like home. The conference had several writers from the diaspora whose names were followed by Accra/UK, DRC/Norway, DRC/Netherlands and Uganda/UK. This is the real situation of many who have lived and continue to live across two continents and for many reasons, unable to identify one single country as their home. It is an indisputable reality and one that I learned from after hearing their stories of challenges of living as a writer in the West. Contrary to the justification many of us try to give ourselves when we are not writing or pushing our creativity beyond its limits, we who live here want to believe that ‘they’ in the West, have it easier because they live next door to publishers, dine with literary agents and have coffee with prize givers. Hardly. They too have 24 hours in the day with which to work and create, have children to look after and bills to pay. Did I mention that the weather most times in unfavourable and can be compared to Margherita peak on Mt. Rwenzori. And nothing brought made this clearer than the readings from Kwani? 07, which Doreen Baingana and Kalundi Serumaga opened up to us. Billy Kahora, managing Editor of Kwani? led a very reflective session and explained the motivation for the theme for the latest edition of the East Africa literary journal, Kwani?, which was Africans in the diaspora Doreen’s was a true account of being mistreated at the immigration department before entering the United States. The confrontation by the officials because of the choice she made not to apply for US citizenship and instead return to Uganda, resonates the binary standards of immigration policies. The disparity between the West and the beautiful and complex continent of Africa is further examined in an article by Alphonse Muambi, Congolese journalist currently residing in The Netherlands. The articles entitled, African elections, a naïve European ideal? indicates that the European desire for democracy on the continent is detrimental to the well-being of African populations. There was a lot of discourse as well about how we can collaborate as writers to use available digital tools to widen our audiences and opportunities for publishing and listening to Chikoti’s views on this and his Malawi experience as well as Rais Boneza from Norway/DRC, Dwalu, a children’s author from Liberia and even the Ugandan writers like Beatrice Lamwaka, Hellen Nyana, Harriet Anena, Baingana and Twongyeirwe. It is safe to say that we must tap into the prospects from the internet and keep on writing. The conference was followed by many other events in Kampala, one of which was an African Writers’ evening organized by Nii Parkes, which he runs in England on a quarterly basis. And true to the celebration of Women’s Day, Beatrice Lamwaka read from two different anthologies and bravely bore the Q and A from the audience. Rais entertained us with an oral form of poetry in singing verse and Nii, true to his amazing self, ended on a high with the West African mosquito, detailing the issues of youths in America who live and think like gangsters but are no match for the perils of malaria. Goretti Kyomuhendo is farsighted. The session with employees from Barclays Bank and Stichting Doen, the sponsors of the event, discussing possible collaboration with the literary arts is testimony to this. She embraces challenge with a dignified fierceness and I am so grateful. I am honoured to have met astounding writers from Uganda, the entire continent and the diaspora, from whom I picked incredible wealth for my own writing. Asanteni! By Beverley Nambozo Nsengiyunva

Sacrifice, poem by my friend from Lancaster, Alex Evans

Sacrifice by Alexandra O’Toole Evans We loved the tenderness of this poem by Alexandra, especially its unlikely physical manifestations. A perfect way to start the week. Enjoy! . Sacrifice . When you are out there, hanging from lengths of rope, with nothing but pipes and pieces of corrugated metal to break your fall; and the sea, surrounding you, soothing you, ever threatening to swallow you whole, I am in the kitchen, shaking earth from root vegetables; scraping off their rough skins, before I chop them into pieces and drown them in scalding water. . Do you think I don’t know the risks you take? Guilt and uselessness gnaw at me every day. So I make lists, and tick things off as I go, charting my success in crosses out and cups of tea; marking my days with memories made digital and sending them to your inbox out at sea. To the east: where you hang from lengths of rope. . . . Alexandra O’Toole is currently editing her first novel and has just completed an MA in Creative Writing at Lancaster University. When she’s not writing or blogging about writing at http://alexandraotoole.wordpress.com she works with businesses to help them connect with their audiences through stories. Tags: Kumquat Poetry poetry poem Alexandra O'Toole

SESETULA ARTS E SESSE Festival of the arts 7th-9th December 2012.

Xenson arts and Zawadieye presents “Sesetula arts e Ssese” under the theme “Why I do what I do” loosely translated as “lwaki nkola zenkola” What is Sesetula Arts e Sesse? Sesetula arts e Ssese is a festival of the arts on the beautiful and serene Ssese islands. We are celebrating the climax of a wonderful 2012 and the diversity and richness that is the arts; their ability to impart knowledge, creativity, determination and compassion.

Internet source: Purpose of the Festival This project seeks to explore linkages that exist between art, culture and nature. OBJECTIVES 1. Enhance participation and appreciation of all genres of art; visual, performing, literary. 2. Promote cultural identity and encourage greater affinity with nature. 3. Inspire and reiterate self-belief and confidence. About the Venue. Scattered across the North Eastern corner of Lake Victoria; Africa’s largest fresh water lake are 84 islands that make up the Sesse group; Kalangala district in Central Uganda. To the South West is the Bugala group and to the North East; Koone group. The largest and most accessible of these is Bugala which is the district headquarters. Pearl Gardens campsite is located 100m from Lutoboka bay on Bugala Island. This 20 acre sprawling beach resort operates a secure and well maintained camping ground within the natural forest and along the beach equipped and ideal for group camping. The resort also has built cottages and rooms as alternative accommodation. Target This annual festival will draw together art lovers and enthusiasts, the local community as well as artists from all genres. Visual arts and handicrafts that include among others; basketry, mats, ceramics, beads, pottery, hand-woven textiles and products, toys, jewelry, bags and ornaments, leather products, batik, wood carvings and paintings. Performing arts; dance, drama, music, theatre, motion pictures, opera, traditional sports and the marching arts such as brass bands as well as literacy arts that use language to express oratory and literature; poets, comedians and writers. Activities • Battle of the bands: Arguably 2012 has been the year of the band as more and more Ugandans embrace the concept of live music. Bands will have the opportunity to go head to head in an explosion of instruments and musical genius. • Poetry and book reading: Literary art lovers will have the opportunity to engage in various recitals and review chapters of a local publication courtesy of FEMRITE (Uganda Women Writers Association). • Story telling: The “Original Musese”, as he is locally known is one of the oldest men on the island and will engage in folklore and convey the oral history and traditions of the Basese people. • Jam sessions: Whether you are an accomplished musician or not, bring your own instrument and let’s create beautiful music. • Dance recital: Mix of contemporary and modern dance styles. • Disco: DJ Apeman; Africa’s finest DJ will be on the spin tables displaying his talent and playing your favorite jams. • Boat graffiti: Working in teams, that include local fishermen, participants will get a chance to spray paint a boat on the beach. After this exercise, teams will get into their boats and the fishermen will treat us to a spectacular race to Lutoboka bay. • Treasure hunt: Teams will get to explore the Island following and deciphering a given set of clues to find the ultimate prize. Whichever team gets to the treasure first, wins it. • Culinary art: To celebrate the culinary arts, participants will take turns preparing breakfast; the first and most important meal of the day. • Exhibition: Those with items to sell will be allotted a special place to display their wares. How to participate/ getting there: For more information on our packages and to make reservations, please call Achan on 0751697010, achanc@yahoo.com or Esther on0772381552, esi.ochan@zawadieye.com. Remember, we only have 150 slots available so book early to avoid disappointment.

BN POETRY AWARD GOES INTERNATIONAL-IT'S TIME.

Hello, this message is for you-you who have been there for the team during the arduous and rewarding years of putting the BN Poetry Award together.

(Photo taken from one of the art pieces at Kenya National Museum) Thanks for being a heads up kind of person during the 4 past BN Poetry Award ceremonies. Next year 2013, will be the last annual poetry award for Ugandan women living in Uganda because, we have decided it is time to live larger. From 2014, the award will increase to include both female and male poets from East Africa. The award has achieved significant success in Uganda with remarkable aplomb amidst support from the media, individuals and other literary groups in Uganda and in honour of the surprises of poetry, it's time to show how radical and real poetry can be. If there ever was a time, it's now. Further to that, the award will also target Ugandan Women in the Diaspora , specific to regions. For example, in 2014, target Ugandan women in Southern Africa, 2015, Ugandan women in the U.K, and with the succeeding years, a new region. These ideas were augmented from the intense individuals whose ideas are like a springboard whenever we sit for our roundtable discussions. of the BN Poetry Foundation. Currently, we are still accepting poems from poets from Eastern Africa for an anthology thanks to funding from Prince Claus Fund. If you are interested, send the poems to bnpoetryaward@mail.com as a word attachment with your contact details. The deadline is end of December 2012. 2013 is going to be an intense fundraising year and a great time to be alive. Have a memorable week and you may follow us on facebook at Beverley Nambozo Poetry Foundation and this Friday and Saturday from 6:00pm, Lantern Meet of Poets will be holding a recital at The Uganda National Cultural Center (National Theater), tickets at only 10,000/-.

Paula Biraaro's story at Storymoja Hay Fest 2012

13th to 16th September 2012 found me in the city of Nairobi attending the StoryMoja Hay Festival held in the fabulous setting of the National Museum. My participation in such a great event resulted from being a second winner of the Fourth Beverley Nambozo Poetry Award 2012 under the theme Music with my poem entitled ‘Nyamwezi’. I attended this event with Ms. Beverley Nambozo and Ms. Susan Piwang (winner of the award) and our trip was proudly sponsored by Stichting Doen. The journey to leading this festival is still kind of surreal to me. As I sat en route to Nairobi, I had series of flash backs. I remembered lying on my bed at 10 pm tapping my laptop keys as my mind juiced words that would eventually be the poem ‘Nyamwezi’. I remembered getting the invitation for the award dinner, hearing my name being announced as a second winner and my unexpected scream of joy that tore out of my mouth. I remembered thinking ‘How can this be? ‘Who am I to win this?’ and ‘Am I a really a poet?’ Such questions darted across my mind as I read my poem to the audience. Not only had my work been commended and recognized, I had won USD$300, five autographed books authored by great African women writers and the icing on the cake was a fully sponsored trip to attend the StoryMoja Festival in Nairobi! From arrival to departure, we hit the ground running for the StoryMoja team had organised an action packed crash course programme. At the festival launch at the Nairobi Museum courtyard I felt a little intimidated as I looked at these ‘strangers’ who seemed to know each other throwing hugs and kisses with shouts of laughter burst from their lips. Upon our introduction my perception slowly changed. These strangers later on became acquaintances, mentors and in some few cases friends. We were all warmly welcomed and Susan and I were congratulated upon our achievement. Sure, I was a novice in their world but I begun to see myself through their eyes, patting myself on my back and thinking ‘Paula, you can do greater things, this is only the beginning!’ I attended master classes under the tutelage of thought provoking award winning novelist Dinaw Mengestu. I got to appreciate the importance of careful scrutiny every sentence and message it conveys when writing a book/short story, communication with the audience, and how individuality and originality makes the difference.

Susan Piwang, Dinaw Mengestu and Paula Biraaro. Photo by BNN The effervescent Lemn Sissay took us through exciting poetry exercises that changed my outlook on power of words, expression and description. I got to rub shoulders and prod some brilliant minds of amazing, famous writers who were surprising humble and willing to share their experiences. Their words of advice centered towards following your dream, persistence, hard work and to keep writing! I was so blessed with their words of advice and encouragement which I treasure and heed to date. The true test in this whole experience was when I had to present my poem before an audience as a guest panelist at the poetry gala. This was a totally different league! Imagine sitting on the same panel with renowned poets, some internationally acclaimed, sharing your experience and presenting your poem. A concoction of feelings of excitement, fear, determination flooded my mind as I sought to achieve this feat. Thankfully, everything went smoothly, I didn’t choke and it was turning point on how I regarded my talent and I vowed to exploit it to its full potential. The last event climaxing the festival was the play written, directed and acted by the Sitawa Namwalie. It was enlightening to see her vivid poetry through performance which helped send her message home. I am grateful to BN Poetry for the horse kick to using my gift and I can proudly say that I am no longer a ‘closet poet’. Danke Schon to Stichting Doen for their financial support and I salute Beverley and Susan for being entertaining company! I had a blast! My prayer is for Uganda to plan and organize for such an event in Kampala. There is a saying that your life can change in a moment. Mine changed in those captivating three days. Thank you.

storymoja Hay fest 2012, sawa sawa!

It was an unrealistically beautiful experience. A packed programme with so many fantastic options from Lemn Sissay the larger than life performance poet, Dinaw Mengestu, winner of 2007 Guardian first book award for his novel,Children of the Revolution to Sitawa Namwilie,author of Cut off my Tongue. The 13th to 17th September 2012 will hardly be forgotten.

The poets at Lemn Sissay's class, storymoja hay fest 2012 The winners of the 2012 BN Poetry Award Susan Piwang and Paula Biraaro, attended the festival as part of their prize and surprisingly blew me away when they recited their winning pieces during the poetry gala on the morning of the 14th at the storymoja amphitheater, Nairobi Museum. By the way, that museum puts ours to shaaaaaaaaaame. There you can carry out parallel workshops, play music and charge an entry fee without the fear of the artefacts crumbling under too much wind. During the effervescent Lemn Sissay’s poetry masterclass, he said one important thing, among many. The stage should be the last place a poem should be. Every poet will remember that. And then Dinaw, sigh, what a writer! I told him that he is the type of writer that can easily write with a female protagonist without the readers figuring it out. His first novel Children of the Revolution started his career and from the deliberate and careful way he selects his words before speaking, it is no doubt his career will make him leap bounds. Oh, and he hates these over used words like She smiled. He was like, what kind of smile? It should be specific to the character. I chaired the discussion of his book and fund out, he also believes in writing for social change! Yeiiii!

Bev and Dinaw Mengestu after his writing masterclass The second night we were hosted at a grand dinner at Muthoni Garland’s house (read palace). You have never seen anything like it. The founder of the storymoja Hay Fest cut no corners when it came to building her home sweeter than home. My eyes got drunk with all the magnificence. It was a cosy dinner where I got to talk to Giles Foden who by the way doesn’t talk much, no sir! Curt answers, well, at least I got a photo.

Bev and Giles Foden, author of Last King of Scotland (Muthoni's house in background) Lots of artists, Precious Williams, Lola Shoneyin, Akil,Eurig the Welsh poet, Lauri Kubuitsile, a prolific and most down to earth writer from the continent I have met. Then the unmistakable John Sibi Okumu of Zain Africa Challenge who talks on and on and on, I guess to match his stature. He is an interesting person to listen to. It was gwangamanga mwah mwah mwah. Can there be a Hay Festival in Uganda? You tell me. Susan, Paula and I were the only Ugandans from Uganda , so make sure you're there next time, you will love it-I did!

Some of us at the British Council farewell reception

Betty Kituyi gives birth to yet another poem

I want you to know how happy I am with my little poem, Falling, having taken the third position in this years’ Beverley Nambozo Poetry Award! The prizes were great thanks to our sponsors!

Birds at Queen Elizabeth National Park, photo by BNN, 2009 The evening of 29th June 2012 when I read my poem to the guests at the poetry evening, I felt like giving birth to it. The message in the poem coincided with the pain of loss of my village mates in Bududa village who had been buried by landslides. At that moment, my poem carried hope for me and for my people and that meant so much to me. My people needed to hear those words ‘ I am learning from the weeping clouds that falling isn’t dying.’ Maybe there is meaning to this death in my village. May be death is not an end. I keep thinking. Since the award, my poem has been shown off to friends, family and organisations and it feels like sharing a new precious baby to the world: My friend Theresa Wolfwood from Canada says it is a powerful poem with no word out of place. Sumeet Glover a UK based poet and a friend to Terry, wrote a lovely commentary about the poem and wants to feature it on his website: www. global poetry.com These are his words: “ yes, I do remember this poem, and it was very much on my mind to reply to that email of yours from few weeks back. I was yet to spend time reflecting on this poem, but on the top of my head, I believe it's a beautiful poem. It is a celebration of feminism and it talks of the freedom every woman deserves, especially in Eastern and African societies where gender roles are strictly restricted. After reading this poem a few times, I thought "only if every woman had this sense of inner and outer freedom to just be whoever she wants to be". So yes, it contains a very powerful message for male-dominated and bigoted societies. On the other hand, it contains a very feminine and engaging sense of hope for other women to let themselves out, to breathe free, to let the rain fall, to get drenched in its waters and to walk home. The essence of this poem is a fearless 'awakening' to a woman's freedom. If there was a choice, this poem could also be renamed "fearless". Only if every woman had this freedom! That is my final thought, especially after I recently heard of my cousin sister in Delhi. Her husband has now turned slightly "kind" to give her "permission" to see her mom once in 4 months. Anyway, she has a choice she doesn't want to take. So "Falling" has an important place to let the fears and terror of women to fall away. I went to the Southbank Centre on Friday last week, and attended "African Utopia" debate. There was a panel of journalists of African descent debating how the West is so ignorant about Africa and how only about 20 or 30% of African population has access to Internet. Therefore, I wanted to ask you, if Betty may be interested in having this poem published on Global Poetry site? (the copyrights remain with the authors, GP doesn't hold any copyrights to others' works) I believe this will be a very important voice for African women, and women in general.’ FEMRITE used falling as a table tent that was marketed in restaurants, hotels, bars schools to promote the literally week of activities from 9th – 13th July 2012. Beatrice Lamwaka and Barbra Oketta used it with students of Jane Francis Secondary school in Masaka during their school visit where it was discussed and recited on 28th July 2012. My friend Cathy, a professor of literature at a university in Kuwait has promised to share the poem with her students! For a small poem that began at a kitchen sink to travel these vast distances and find use and meaning to different people in a small period of time, is quite a profound experience for me! It is like a mother watching her child grow and accomplish his dreams. I am extremely delighted and encouraged by the BN Award. Thank you so much for giving a forum for the inner voices of Ugandan women to be heard! Congratulations Beverley for this great effort!

Secrets about Lamwaka of the Caine Prize

L-A-M-W-A-K-A 2011 CAINE!!!!!!!!

She comes from Alokolum in Gulu and studied at Kangole Girls’ Primary School in Karamoja where she fled with her bitutwa (Bitutwa are plaits that look like black maggots) flying in the wind, as a result of the unrest in Gulu. Labeaty, is what her close friends call her. Her first email address was labeaty2001@yahoo.com. Do you remember when we first got email addresses which had years tagged to them? If you got your email address in 2012 then you were seemefly2012@hilarious.com. Labeaty was one of those people.
At FEMRITE, which she joined in 1999, while still an undergraduate at Makerere University, scrimmaging for literary abundance which was in plenty while Goretti still its Coordinator then, would dole out.
So anyway, Labeaty is one of those phlegmatics who does not really prescribe to the template of phlegs and she really likes eating bananas and taking tea with entangawizi. Why am I talking about Beatrice? She was shortlisted for the Caine Prize, she is my dear friend and I am the only interviewer so far who knew that she studied from Kangole Girls, which by the way is on the internet, mbu they used to wear cute short blue sleeveless dresses for uniform. Labeaty says that you pick the uniform from the school and leave them there. (Giggle giggle). So, she has been shortlisted for the 2011 Caine Prize for African Writing for her short story, Butterfly Dreams which was published in 2010 in the anthology entitled Butterfly Dreams and other stories by CCC press in the UK.
We are certain the prize will come to East Africa again, because others on the short list are from SADC. Raise your glasses as we toast, raise your bananas as we boast, Beatrice Lamwaka.