Showing posts with label friends' poetry. Show all posts
Showing posts with label friends' poetry. Show all posts

Sunday, February 2, 2014

Michael Onsando visits Kampala

Photo credits: All photos with Michael and Femrite members in discussion, photos by Dilman Dila.

Photos of Tom Forrest, Michael Onsando and scenic view of Buziga Hill, photos by BNN. Photo gallery of the visit coming soon.

BN Poetry Foundation recently partnered with Femrite, Transcultural Academy and Poetry-in-session to bring Kenyan poet and blogger, Michael Onsando to Kampala. The fully packed literary itinerary included a very late night bus ride, dinner at Wandegeya’s finest, a heavy Q and A at Femrite Author of the Month session, relaxed evening at Poetry in session and a day out at Tom Forrest’s house with an unbeatable view of Kampala. Delightful. Yes, indeed.

Michael is the first of several other East African poets who will be travelling to Kampala in the next couple of years for cultural exchange visits which are sponsored, authored and managed by Africans and Afrocentric non-Africans.

On arriving close to 11:00pm on 26 January when the rest of Uganda had long slept after celebrating, or not, the 28th anniversary of the ruling National Resistance Movement, the first part of this extraordinary visit was to Wandegeya. It was the only suitable place for fine food at such a fine hour. Wandegeya is adjacent to Makerere university and caters for all sgudent needs. Michael, coming from Western Kenya, adores matooke and binyeebwa, which made my life so much easier. His guest house in Ntinda was not far off in the traffic less city, close to midnight.

During the day of 27th, he toured a little and chanced upon Afriart gallery which true to its name, held fine art exhibitions and craft, which raised our guest’s expectations of Kampala’s art. The gallery is run by Daudi Karungi and every month, there is an exhibition of a different artist be it painter, scuptor, bark cloth genius or oilsmith.

Femrite’s evening session of Author of the month occurs every last Monday. This was the first serious literary space that Michael entered and was nothing short of spectacular. Having followed his blog at www.michael.co.ke, there were a number of questions I had, given his vulnerability and social awareness, reflected off these pages. The members at the discussion filled the session with lots of questions of their own as well.

Q: On your blog, you mention how you were incapable of celebrating Kenya at 50 in 2013. This is in reference to the 50th anniversary independence from British rule. Why weren’t you able to celebrate with the rest of the nation?

A: Why should I celebrate when there is so much injustice. For example, an open air market was razed for having been built on illegal ground but Westgate Mall was also built on illegal ground and never razed.

Q: You have been told that being a poet is not aspiration enough. If you were a decamillionaire, do you think their views would change?

A: Yes, because money has now become an end and not a means to an end.

Q: What is your view on literary prizes?

A: A number of people have been given a platform. Prizes do not validate the work and they are only as good as the judges. They are also mainly of value to those giving them and not to those receiving them, in my opinion. They are a grey area and have done more harm than good. In Africa especially, writers are only validated by prizes and yet even without a prize, writers remain excellent at their craft.

Q: Does everyone have talent?

A: Yes, we all have talent. We must not believe that all talent has to be artistic though.

Q: But as a teacher, I have had to let down some of my children who have no talent in poetry by telling them to try another specialty. A: As a teacher though, it is your duty to encourage that child no matter what to pursue poetry, if it is in her/his interest.

Q: When writing a poem, do you pay attention to particular rules? A: For a long time, I paid attention to rules and metre but even though everything is new, we must still be deliberate and not just let things happen.

Q: Uganda is a literary drought. What can we do to change this and market ourselves as well as Chinua Achebe and Ngugi wa Thiong’o?

A: Who are you reading? Uganda and East Africa are far from literary droughts. There is a lot of work coming out for example, Dust by Yvonne Adhiambo Oduor, which I recommend all to read.

Q: Chinua Achebe and Ngugi wa thiong’O did not remain on the continent to and take part in the real struggle? What do you make of this?

A: Look at the circumstances that make them go away. Ngugi was in a very precarious political and personal state. After his first return, his wife was raped brutally and there were many other political repercussions.

Onsando also believes that we are fundamentally gifted by largely one specific thing be it poetry, carpentry, archery. A number of participants at the session disagreed. This rose from the fact that many writers and artists take on several other roles to sustain them financially.

After reading three memorable poems namely Whispers, Unlearning Death and Maktub, the evening ended with more questions which could only be concluded at another forum. It was an impressive, reflective and ebergetic evening at Femrite. Tuesday’s Poetry in session was more relaxed. With a few regulars and some new faces, Roshan Karmali, the host and founder, allowed each poet a maximum of 3 poems and to engage the audience more. This was a fantastic way to begin the new year as she led us to a theme of breaking new as opposed to finding ourselves in 2013. It was a night of pleasant surprises, concluded by the gifted Bosco and his guitar. Singing some of my favourite songs like, How does it feel to be the on that I love?”p>

After many late nights, Wednesday was resting day at Tom Forrest’s exquisite house on top of Buziga Hill, overlooking the extraordinary Kampala city. At his place which is spruced up with an enchanting mix of flowers, shrubs, old trees, roots, guava trees, trees hanging with leaves commonly called Old Man’s Beard, hibiscuses of all shades and rare cacti, we allowed ourselves to seep in the new and the fresh.

Tom Forrest is a distinguished Biritish academic who hoards literature, mainly poetry. Fascinating. A welcome alternative from the engaging previous two nights. Visiting with Femrite members Jackee Batanda and Sophie Alal who are writers,creators and entrepreneurs, Tom was only too delighted to host an East African writer at his premises.

Michael’s wish is to return to Kampala as soon as possible.

Many thanks to sponsors and friends who made this visit possible, the first of many.

By Beverley Nambozo Nsengiyunva

Thursday, August 1, 2013

Beverley Nambozo Nsengiyunva, Harriet Anena and Susan Piwang shortlisted for the Poetry Foundation Ghana 2013 prize

Ghana Poetry Prize is a major new poetry prize of Gh cedis 2000 (approximately $1000) targeted at the celebration and promotion of poetry worldwide. The prize is sponsored by Poetry Foundation Ghana. Susan Piwang won the 2012 BN Poetry Award which I (Beverley Nambozo Nsengiyunva) coordinate. Harriet Anena works for the Monitor Publications. More information from the Poetry Foundation Ghana website is below. The winner will be announced at an event hosted by the Department of Modern Languages and English (Kwame Nkrumah University of Science and Technology) and Poetry Foundation Ghana. The venue and date for the event will be communicated later. The Ghana Poetry prize in its first year was opened to the world but in the subsequent years it will be opened to only Ghanaians. An important part of our project is to give voice to fresh, new, unpublished poetry. The Longlist Anthology shall be made available in print during the event at Kwame Nkrumah University of Science and Technology and the date will be communicated later. The Shortlist Below is a list of the poems selected for the 2013 Ghana Poetry Prize Shortlist. We appreciate the many that supported our poetry project by contributing in our very first year. The many admirable and beautiful entries made the final selection difficult but it was ultimately done. Woman Ezeiyoke Peter Nonso The Leashed Goat Bleats Daniel Kojo Appiah Gratitude To Papa Elizabeth Akrofi The Pretty Beads of Suma-Glory Crystal Tettey I Baptise You with My Child’s Blood Beverley Nambozo Nsengiyunva My President Mikail Oluwadare Bashir Passages on Kakum Canopy Walkway, Ghana (To Alba K Sumprim) Uzor Maxim Uzoatu Dylan was right Rehan Pochkhanawala OUR GOD, OUR DEVIL Delasi Livingston Senya We Arise Harriet Anena Grandmothers Kofi A. Amoako Man Bailer Wisdom Hanson A Day’s Work Omonegho Imoagene Negro Hate Samuel Osei Mensah Junior Losers And Abusers Kwaku Krobea Asante Resigned to Fate Susan Piwang I Do Not Have A Wife Tony Adebamiji The Picture on The Wall Sarah Nyarko Again Here? Philip A. Alawonde Beautiful Africa William Kumi Du Bois

Saturday, June 29, 2013

RASHIDA NAMULONDO WINS BN POETRY AWARD 2013

TIME In the corridor of time I peeped through the keyhole of 2099. The television said the nuclear war might be tomorrow The radio said, The globe has warmed up And the North Pole has melted away The phone said to the man with it, Evacuate! The government experiment was a disaster and The virus is on the loose. I saw people being chased and about to be caught up by time Voices out in the window screaming Let’s escape to AFRICA Maybe it was left untouched. So I peeped through the door of 2015 I saw black women importing Western ideas I saw their children throw away their customs Old men dying without writing down their history I saw black women go to school to learn to be white I looked around to see if anyone was against it but none So I peeped through a door with no label Must have been timeless time Its people respecting each other’s culture They didn’t cut the forest They didn’t pollute the air They worked together Nature was pleased with them I wanted to open and run in but it was locked. So I opened back to 2013 And sat down Thinking how I can save the world So I told the world in a poem Hoping they would listen. Namulondo Rashida is the overall winner of the BN Poetry Award for 2013. This poem, Time was enchanting, gripping, refreshing and musical. The theme for the 2013 award was Innovation. Rashida wins a fully sponsored trip to the Storymoja Hay Festival in Nairobi alongside cash prize of 500 US Dollars. She also wins autographed copies of poetry, autographed copies of Diaries of a Dead African, by Chuma Nwokolo, Jr. ,Songs of paradise by Justice James Ogoola and autographed copies of Tropical Fish by Doreen Baingana. http://bnpoetryaward.blogspot.com, www.bnpoetryaward.co.ug RA

Tuesday, May 7, 2013

Virtual Poetry Seminars, Summer Edition, May to July 2013

The University of Iowa's International Writing Program has two poetry online sessions running for seven weeks. The first course i for strong and emerging poets while the Advanced class is for published poets. This is great, it's free and all you have to do is submit a resume, statement of purpose abd writing sample of 5 poems. Send these to iwpapplications@gmail.com. It is about opening doors to invisible people. Deadline to submit is 8 May and it is definitely worth it. According to the website at http://iwp.uiowa.edu/calendar/2013-05-08/applications-due-for-virtual-poetry-seminars-advanced-poetry-seminar-poetry-mast, there will be open discussions with the classics, the old and more modern and contemporary poets. International applicants are encouraged. you just need a reliable internet connection and headset. For the Masterclass, there will be radical ways of revising poems, don't we all need this? The course instructor is Micah Bateman who is a graduate of the Iowa Writers' program and Nick Twemlow is the instructor for the Master class. enjoy!!!!!!!!!!!!!!

Tuesday, April 2, 2013

Congratulations Clifton Gachagua!

The winner of the Sillerman First Book Prize for African Poets for 2013 is Clifton Gachagua for his manuscript Madman at Kilifi. Below is a photo off the internet. He will receive a USD $1,000 prize and publication by the University of Nebraska Press and Amalion Press in Senegal. “I was driven mostly by what was for me a quest for a fresh language—something that seemed to come out of the energy of language spoken and owned, and then transformed into a poetic force that seemed sometimes out of control, but only in the way that honest passions can seem out of control,” says APBF Series Editor Kwame Dawes. “There is cleverness aplenty here and much that is provocative and troubling. Indeed, I think it is daring, careless and at times tender and vulnerable. But above all, there is a distinctive voice here. This is a strange trait to find, but when it emerges it is striking for its originality. I believe this is an original voice. This manuscript achieves what is necessary in African poetry: it feels as African as Africanness can be, and wholly contemporary and in our moment.” Clifton lives in Nairobi, where he was born and raised. His poetry has appeared in Kwani? 06 and Saraba. He has recently finished work on a novel. Clifton is also a scriptwriter and filmmaker, currently developing a French-Nigerian feature-length film. He graduated with a bachelor’s degree in biomedical science. He has spent a considerable time of his life on East African highways, travelling from lake to coast and back, in search of both love and Jeffery Eugenides’s Obscure Object.

Monday, February 4, 2013

Dr. Iddah Otieno seeking poets and short story writers

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I (Dr. Otieno) am looking for short stories and poems for an edited collection of contemporary short stories and poems from East Africa. The dawn of the new century has witnessed significant changes in the socio-economic, political, and cultural landscape in the East African region. The purpose of the proposed volume is to highlight these experiences from East Africa's colonial past to neo-colonial present through short stories and poems. Suggested topics may include, but are not limited to, themes of alienation, search for identity, the changing face of East Africa, education is a changing society, African families in transition, globalization and information technology, among other thematic areas. Contributors should send completed short stories (7-10 pages double-spaced ) and poems (1-2 pages double-spaced) , 12 points Times New Roman to Dr. Iddah Otieno via e-mail at Iddah.Otieno@kctcs.edu by May 30, 2013. Contributors will be notified by June 15, 2013. Any questions should be directed to Dr. Iddah Otieno via e-mail. Please share this with your colleagues. Let me know if you have questions. All entries must include: (1) author name; (2) institution of affiliation; (3) rank; (4) area of expertise; (5) e-mail contact; (6) a 50 word author biography. Thanking you in advance. Dr. Iddah Aoko Otieno, Ph.D. Associate Professor, English Department Director, Kenya Exchange Program Bluegrass Community & Technical College 101 Academic Technical Building Lexington, Kentucky 40506-0235 Office: 859 246 6341 E-mail: Iddah.Otieno@kctcs.edu Http://district.bluegrass.kctcs.edu/iddah.otieno/ Http://www.bluegrass.kctcs.edu

Friday, January 4, 2013

HAPPY NEW YEAR

Dear Poets, A very rewarding new year to you. This is to sincerely thank you for submitting your poems for the East African anthology. The editors have started their work and within a couple of months, this exercise will be over. We are still in the process of searching for a publisher but at least we will have an e-version. This project was funded by Prince Claus Fund. This year 2013 is also the final year of the Beverley Nambozo Poetry Award for Ugandan women alone and in 2014, we will target the East African Community including men and women and also Ugandan women in the diaspora. We encourage you to follow our facebook page at Beverley Nambozo Poetry Foundation for details. Regards,BNN

Monday, December 17, 2012

For Sarah Baartman-poem by Serubiri Moses

For Sarah Baartman By Serubiri Moses I have come to take you home where the ancient mountains shout your name. I have made your bed at the foot of the hill, your blankets are covered in buchu and mint, the proteas stand in yellow and white – Diane Ferrus I am coming back home. Sheets of volcanic rock lean over me like tree branches, Shielding my mouth from glaring sun, soothing my feet like a babe in bosom, I am home on these black rocks that bear markings of my forefathers, on which earth they planted trees and manicured lawns, where zebras melt into the zen-like quietness of the landscape in deep grayish browns. I am home trekking the valley with my goats, sheep and cattle. Sarah, our black bodies have left the museums now. My black body has found its silence here among the crater lakes. I return from the place where black bodies are fetishized like fertility dolls, soiled with white semen, and white curses to those to whom Black Beauty must be tamed and groomed. Sarah, I am home in Naivasha on the volcanic bench, where vapor rises from the hot tarmac like morning fog in the rain. Sarah, I am home where The road is a long tongue that drinks up the rain with a terrible thirst.

Tuesday, December 11, 2012

Sacrifice, poem by my friend from Lancaster, Alex Evans

Sacrifice by Alexandra O’Toole Evans We loved the tenderness of this poem by Alexandra, especially its unlikely physical manifestations. A perfect way to start the week. Enjoy! . Sacrifice . When you are out there, hanging from lengths of rope, with nothing but pipes and pieces of corrugated metal to break your fall; and the sea, surrounding you, soothing you, ever threatening to swallow you whole, I am in the kitchen, shaking earth from root vegetables; scraping off their rough skins, before I chop them into pieces and drown them in scalding water. . Do you think I don’t know the risks you take? Guilt and uselessness gnaw at me every day. So I make lists, and tick things off as I go, charting my success in crosses out and cups of tea; marking my days with memories made digital and sending them to your inbox out at sea. To the east: where you hang from lengths of rope. . . . Alexandra O’Toole is currently editing her first novel and has just completed an MA in Creative Writing at Lancaster University. When she’s not writing or blogging about writing at http://alexandraotoole.wordpress.com she works with businesses to help them connect with their audiences through stories. Tags: Kumquat Poetry poetry poem Alexandra O'Toole

Thursday, July 26, 2012

East African Poetry Anthology

Hello, The BN Poetry Foundation is compiling poems from poets of East Africa for an anthology which will come out in 2013. This has been due to the generous contribution of Prince Claus Foundation. We kindly request you to send up to a maximum of three original poems in English or in a local language with the English translation, from which one or two will be selected. The winners of the BN Poetry Award from 2009 to 2012, will have their winning poems published and they may submit another for consideration if they so please.
Bulago Island, Uganda The theme is open and submissions will be accepted from 1st August 2012 to 1st November 2012. The copyright of these poems will belong to the poets. At the moment, there are consultations with various publishing houses and once a selection has been made, you will be notified. Payment will be made once a publishing house has been identified. Kindly submit poems to bnpoetryaward@mail.com, as Microsoft word attachments in Times New Roman size 12, include your name, email and phone contacts and nationality. We will not be able to acknowledge receipt of submission and only those whose poems have been selected will be notified due to the large number of submissions. This does not mean that we do not appreciate you for taking part in this process. Poets must be from either Burundi, Kenya, Rwanda Tanzania, South Sudan or Uganda. For details on what the BN Poetry Foundation does, visit www.bnpoetryaward.co.ug Kind Regards,\ Beverley Nambozo, for BN Poetry Foundation

Tuesday, June 7, 2011

Stormy Heart by Mildred Kiconco Barya

Stormy Heart
A heart like mine
Fickle,
But generous
I welcome him,
Them
We are us.

Shades start to peel
Revealing hwo they are
Msqueraders.
Once more,
I’ve been deceived.

There are many
Coming through my open door
My sister advises
I should have a selection method
Tight and soundproof
But that way, I tell her
I might block the real thing
Cut the oxygen to my heart
What if there’s nothing left of a heart?
I see splinters.

Another time a friend asks,
Have I any children?
‘No’.
‘I am sure there have been men.’
‘So?’
‘At your age they’ve given you no children?’
‘They’ve given me principles,’
He laughs,
I tell him there’s another thing,
Absent fathers
Missing husbands
Lone mothers
There are too many.

Now I am seated by the ocean
Wind roars,
Waves roll and rock with the shore
Turbulence swells
Just like it is
With my stormy heart.

Published in her third poetry collection, Give me room to move my feet. Amalion Publishing, 2009.