Friday, July 28, 2017

OBAJI-NWALI SHEGUN: BABISHAI 2017 HAIKU SHORTLIST



Obaji-Nwali Shegun comes from Port Harcourt, Nigeria. This is his second submission to the Babishai Haiku contest, a form of writing he says, is extremely demanding. Obaji’s purpose-driven nature leads him to work diligently and passionately.
Obaji(courtesy photo)

What drew you to enter for the competition?
First of all, I offer a colossal credit to the sedulous and purpose-driven judges for this recognition. Yes! Even if I’d not be a able to row the boat further to the winners’ range of the sea (In my tiny mind though) being among the shortlisted poets, only, is a tender draft, self-healing and heart-warming as it is gratifying. The inclusion of my names and wee lines in the list is ,to me, like lifting a twiddling crab from its hole and setting it in the cue of hyenas, buffalos and leviathans. Oh yes! Such metaphors decorously define the poets making the shortlist. Their creativities transfixed, electrified and compartmentalized me the almost hundred times I circled the arts. The lines shrewdly and astutely picked by irrefutably great and sophisticated Haiku masters muscularly shocked me, and like Carlsberg’s Jacobsen vintage beers excessively taken made me blotto and wholly sloshed.
I was vastly overwhelmed, when I saw my poem in the list. What was I doing when the bang came? What was I doing? Ok, I was in a Vesta Cyber Café in the West of Rivers submitting a short story to Quramo short story prize ‘ bam’  my Gmail inbox spilled it. I felt gashed not with a sword but with hyper exhilaration. I wanted to leap off the swivel chair holding me all the while, but there was a serious crowd that will hardly fancy my yelp and squeal of triumph. The crowd circumscribed the way I had arranged to celebrate the dawn of my victories; if at all I’ve got more victories ahead, but I should believe i have more on the way.
Talking on the magnet that pulled me like metal into this soul-saving competition I’d have to admit its my immense love for Haiku. Last year I had mistakenly stumbled on a word ‘Afriku’ while surfing the internet and the curiosity to unravel the denotation and connotation of this completely new word ushered me into a vast pool of teensy lines that ended up burying me in wonderment and reverence. The capability of words among 17 syllables to effortlessly carve a hole of longing, nostalgia and bitterness in my heart and thereafter abandoned me panting, grunting and facing the images and sounds of the glitches perturbing the continent, the splendour of nature wrapped in aesthetic words instantaneously compelled me into falling in love with Haiku poetry. And since then I decided to study hard, I meant very hard  realizing Haiku is never, never and never as easy to write as nippy as it is convincingly is. Haiku is an exploration, getting a perfect Haiku done demands you jettisoning the comfort of your minds zone and going exploring. If you never darted into the dark with shovel and digger, you’d always come up with a flat and passionless Haiku. This was a big fact I realized after embracing Haiku my new love. I realized Haiku is an angelic maiden sitting in the shade of tree physically convoluted but interiorly soft and lovely, only demanding anyone who desires to love her to follow the particular principles with which the wavy routes to her realm is laced.
I clapped few words together and joined the 2016 Babish Haiku contest but failed. But I choose not to be deterred or unnerved, in that I was indeed in love with the power of Haiku, its ability to surround  a lot of issues in a jiffy and get a large amount of work done and not because of the competition or incentives. Let me digress a bit, Haiku thought me, I’d sometimes fail in letting her fling me to places if I was only interested in winning a competition. And she’s right, am already on places. I am a winner by getting shortlisted. It’s even enough for me even if I’d not step further. 
Now let me flow on, I relished Haiku, the long-winded and eye-opening type of poetry as I enthusiastically immersed my body and soul in the noble genre of poetry. 2017 Babishaiku contest came and I effortlessly joined the race, realizing I was good to go.
So, to be frank with you my love for Haiku, its beauty and convolutedness and a sense that I’ve mastered the art ,to a particular encouraging level, motivated my interest of entering the competition.             
Do you have a particular personal story with the Haiku?                
A particular personal story with Haiku? I elaborately shared it in the first question but I’d complete the story this way. When I bumped into a Wordpress blog outlining Haiku poems written by an African a particular poem stung me, its tenderness and featheriness. Its fluidness and readability- the poem that would become my port of call in this remarkable poetry genre. The poem is one of the Haiku poems written by Adjei Agyei-Baah. And it reads:
Lights return
The cheers of kids
Stamp out the crickets
Yes, simple as it seems, it blew my mind away. How this very few lines naturally and readily captured a moment? A moment I could relate to as an African and a Nigerian living in that part where you’d have to wait for NEPA lights for weeks and when it comes you go feral and haywire in unprecedented jollity. So, I felt unleashing my mind piece by piece  and yet ensure a germane sense would be a good vocation. A fact about  Haiku is, once you mastered the art, the organization of its figure you’d tell the world your stories as nippily as possible. Even the so-many-schedules-entwined individuals will find time to gulp your Haiku and capture the message without all the ado posed by novels and short stories.  And like seriously am enjoying Haiku. It saves my time , energy and free me from the rigour of expectorating too many words to tell a story.
What do you feel towards the shortlist in general?
Wow, wow, wow. As I mentioned earlier, the intricacies or multifariousness, intriguing imageries and sounds and brilliance of the shortlisted poems is extremely amazing and super-terrific. Each poem delved robustly into divergent issues and moments one could smoothly relate to.  And the judges? I doff my headdress for them. A shortlist indubitably reflects the wit, cognoscenti and savviness of it judges. The judges are masters in this art. They’ve started a revolution the whole of Africa would very soon turn to and enjoy absolutely. Afriku is a wave and very soon its altruistic fragrance will swallow Africa and it will easily, as it does, on larger scale, enlighten us, offering the assizes with which to confront the numerous challenges unsettling the continent. Once again the shortlist is super-terrific and mind-blowing.
What motivations do poets need to keep writing in this ridiculously competitive world that vies for their attention?
You’ve got a good question here. My candid advice to poets out there is to read and read many poems and write and write many poems. If your reading is shallow, your writing will definitely be light and narrow. Like, if Haiku is your forte read plenty of it. Mamba Journal is there, Mercy Ituri and Adjei Agyei-Baah blogs are there for you to guzzle (I mentioned them cos their works introduced me into Haiku, ). If it’s other forms of poem go for them via the search internet engines. And I promise  you of incredible places .  Please, lastly, do not write because you want to win an award write for the joy you derive in what you write and the sky will be your limit.
If  your 2017 submission was food, what would it be?
Ha ha ha…… as an Effium-Eboyian if my submission should be food it would be  esisa  and ugu soup with plenty okporoko  and anu nchi, my mentor, Obinna Udewe will understand this than anyone. But, since I presently live in Port-Harcourt I’d prefer Edikang ikang and Afang soup. Ask, Ngozi Olivia Osuoha she’d giggle.        
Obaji’s shortlisted haiku is here:

roadside
gaunt vultures nipped
a zonked drunkard 

We at Babishai, congratulate him again. The winners will  be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html
                     


 [R1]

Thursday, July 27, 2017

KWAO JONATHAN TETTEH FROM GHANA; BABISHAI 2017 HAIKU SHORTLIST

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Kwao Jonathan Tetteh (Courtesy photo)


1.        What drew you to enter for the competition?



As a poet, I haven't participated in any literary competition like this,

so I intended to give it a try when I came across the call for submissions

for the Babishai Niwe Haiku contest.



2.      Do you have a particular personal story with haikus?

Yeah! I really do love Haiku but I never penned down any until I saw the

call for submissions. It’s amazing that one among my first three Haikus I

had scribbled made it on the shortlist. I couldn't believe my eyes, I was

totally surprised because I least expected it.

Thereafter my entry into the contest, I have had a Haiku published in the

Mamba Journal and I'm proud of that.



3.     What do you feel towards the shortlist in general?

 Wonderful! reading great Haikus emanating from great minds, each and

every Haiku deserves to be on the shortlist and I know it will be a

herculean task for the judges declaring the winners.

Congratulations to every brain behind these powerful haikus on the list.



4.  What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?

I think platforms like literary festivals are really encouraging for

poets to expose their literary works to the world. Contests will always

motivate the writer to keep scribbling.

Poets as well must be self-inspired to inspire the world.



5. If your 2017 haiku submission were food, what would it be?

 It will surely be 'Banku' an energy giving food prepared with corn and

cassava dough relished by virtually ever Ghanaian. It is one of the most

popular food in Ghana enjoy with all kinds of soup, stew and hot paper

before and after an energy sapping work.

Everybody likes it!



Read Kwao’s haiku here



under the bright moon,

fairy tales bring chill bumps

around log-fires


We at Babishai, congratulate him again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.

http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/



Wednesday, July 26, 2017

OSEMWENGIE ZION FEELS AT HOME WITH THE HAIKU

Osemwengie Zion (Courtesy photo)

  WHAT DREW YOU TO ENTER FOR THE COMPETITION?
Having stopped writing haiku for some time, the competition came as a path leading one home and I couldn't help but follow. When I wrote my first haiku, I had a deep connection with it but gradually, the love started to wear out till we became silent lovers on separate shores bearing broken memories of the sweet past.
So when submissions were called for, I hurried to write mine not mainly for the contest but as a way of an errant coming back. A lover returning home after all is spent.

  DO YOU HAVE A PARTICULAR STORY WITH HAIKU?
The first haiku I wrote was in 2014 for a contest organised on Facebook to promote haiku. When I read about it, I rushed to learn a few things about the style. It was not just a style but a world of its own. It was beauty locked in a small room. However, after that time, I wrote quite a number of them until the love wore out.

  WHAT DO YOU FEEL GENERALLY TOWARDS THE SHORTLIST?
Haiku is melting a century into the body of a decade. It is telling so many in very few. The task before the poet is a very taxing one and anyone who can write such poems is a miracle.
The shortlist is indeed magic and the writers are a miracle. The poems are beautiful.

 What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?
Writing in times like this is difficult but not impossible. Writing should not be seen as a substitute for anything but as a soul without which one can not live. To keep writing, place value on it and see it as breath. Motivation comes from within and the value we place on things determines how we see them.

    IF YOUR 2017 SUBMISSION WERE FOOD, WHAT WOULD IT BE?
First, I'm glad it isn't food as the meat of a man may be another's poison.
But, if it were, it would have been Éwa Ágoyin, a special kind of beans.
Only those who suffer amnesia would forget the taste in a hurry.

We at Babishai, congratulate him again. The winners will  be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/
The full winning haikus are here:
http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html

Tuesday, July 25, 2017

CHARLOTTE AKELLO FROM UGANDA; BABISHAI 2017 HAIKU SHORTLIST

Introducing Charlotte Akello.

Charlotte Akello from Uganda, was shortlisted for the Babishai 2017 haiku prize. She is proud that Ugandans have represented well this year and if her haiku submission was a food, it would be cooked pilau, she says.
What drew you to enter for the competition?
I love writing haikus so when I heard about this competition, I decided to submit.

  Do you have a particular story with haikus?
I love nature and I love poetry. It's only natural that I fall in love with haikus. I usually take pictures and transform them to haikus. I started writing haikus last year and there's nothing more relieving. I can still capture memories with haikus even when I don't have a camera.

        What do you feel towards the shortlist in general?
It's great. I love the depth in the little poems. Too much is said in a few syllables. I also love the fact that Uganda is well represented unlike last year. This shows that Ugandan poets are getting on board.

   What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?
Poets need to be patient and aim to become better each day. Some poets tend to give up after a year or 2 yet writing in general needs a lot of patience.

 If your 2017 submission was food, what would it be?
Pilau. It is eaten on festivals but everyone has his or her definition of a perfectly cooked pilau.
Here below is Charlotte's haiku.

A slice of the moon
swimming in the calm night pond--
another festival

Charlotte Akello is proud that Ugandans are representing well this year. We at Babishai, congratulate her again. The winners will  be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862.

The full festival programme is here.
 http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/

The full winning haikus are here:

http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html

Monday, July 24, 2017

FRED KWEKU FORSON FROM GHANA -#BABISHAI2017 HAIKU SHORTLIST

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    Fred Kweku Forson from Ghana, was shortlisted for the 2017 Babishai Haiku contest, inspired by one of last year;s winners, Kwaku Feni Adow, also from Ghana.

 
Fred Kweku Forson (Courtesy  photo)



          What drew you to enter for the competition?
I knew nothing about haiku as a type of poetry until one day on Facebook I read that a Ghanaian, Kwaku Feni Adow had won a haiku contest. I became curious and began to search for the meaning of haiku and all that it entails. After reading a little about it online and a lot more of the haiku others have written especially from the Mamba, I knew I could also be a haiku poet.

The opportunity then presented itself when I read on Facebook of a call to submission of haiku to the 2017 edition of the Babishai Niwe Poetry Foundation haiku contest. I didn’t waste time but began to pen some images/scenes and sounds down. I then submitted the first three haiku I ever tried my hands on and, hooray, it’s been shortlisted.

         Do you have a particular personal story with haikus?
I’ve been writing poems especially rhymes at my leisure times and whenever I wrote one, I would ask my younger brother to proofread for me. I really do worry him with that. He thinks I’m very good at the poems I write but frustrated since I’m not gaining anything from it. He feels I’m wasting that talent. Because of this, he would sometimes refuse to proofread my poems.

When I wrote the shortlisted haiku, I read it to him and asked him whether he finds any sense in it but he asked me to leave him alone and that he has better things to think about. I didn’t tell him I was submitting it for a contest though. So when he read of my haiku having been shortlisted in a contest, he came back from work that evening and reminded me of how he paid no attention to me when I asked him to ponder on the shortlisted haiku for me. We all laughed over it because he was so excited for my haiku having been shortlisted.

 What do you feel towards the shortlist in general?
After going through the shortlist, I was wowed by the exhibition of great African talents in haiku. It feels so intriguing to read such images and sounds briefly penned down by fellow Africans who respectively see and hear far beyond those images and sounds.

   What motivation do poets need to keep writing, in this ridiculously competitive world that vies for their attention?
I believe the greatest motivation of every poet is from within himself, the moment you begin to see and feel something within you, and you just can’t help it but to artistically express it in writing.

But one big external motivation of every poet, I believe, is knowing that his poems have a wider audience across the world and people actually find inspiration in his poems. Therefore, poets and their poems must be given the necessary exposure through competitions and features in journals like what Babishai Niwe Poetry Foundation and the Africa Haiku Network have respectively started doing, etc.

         If your 2017 submission was food, what would it be?
“Apapransa” is a Ghanaian delicacy prepared with corn flour, and that is what my 2017 submission would have been. “Apapransa” is best enjoyed when it is made to be pregnant with chops of salted fish and any other fish deemed necessary and garnished with palm oil. The delicacy is not too appetizing or attractive at the mere sight of it but, the moment you begin to take bites of it and you gently continue to masticate it, you will definitely end up grabbing the chops of fish hidden in it. This immediately gives you a different and even more delicious taste.  

When you first read my 2017 haiku submission at a glance, you may just be tempted to think of it as a mere construction of words in a sentence. Much meaning may not be seen it. But if you take your time and carefully read through it, you will end up getting the deeper messages and lessons embedded in it. Then, you will appreciate my haiku the more.

Let my haiku speak to your mind, soul, spirit and your life! 

Fred Kweku Forson Ghana, is a foridable talent. We at Babishai, congratulate him again. The winners will  be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862  The full festival programme is here.

The full winning haikus are here:
Follow us on Twittter @BNPoetryAward


Wednesday, July 19, 2017

PRESS RELEASE-THE BABISHAI 2017 HAIKU SHORTLIST IS OUT

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19 JULY 2017
PRESS RELEASE
BABISHAI 2017 HAIKU SHORTLIST IS OUT

The three esteemed Babishai 2017 Haiku judges, Adjei Agyei-Baah, co-founder of the Africa Haiku Network, Mercy Ituri, a landscape designer and award-winning haikuist from Kenya and Emmanuel Kalusian, editor of the Mamba Journal, had an uphill task of selecting the shortlist of the 2017 Babishai Haiku prize.

This upheaval task, with over twice the number of submissions as last year, was an evident reward, with a significant increase in the interest of the African haiku.
The shortlist is filled with unwavering talent, intricate African imagery and recognizable brilliance. Congratulations to all those on the shortlist, who come from various parts of Sub-Saharan Africa. Below, in no particular order, are the shortlisted:-

1. Charlotte Akello from Uganda
2. Usman Karofi from Nigeria
3. Kariuki wa Nyamu from Kenya
4. Anthony Itopa Obaro from Nigeria
5. Ahmad Holderness from Nigeria
6. Fred Kweku Forson from Ghana
7. Acen Miriam Carolyne from Uganda
8. Kwao Jonathan Tetteh from Ghana
9. Nnedi Ezenwa Ohaeto from Nigeria
10. Alawonde Theophilus Femi from Nigeria
11. Justice Joseph Prah from Ghana
12. Osemwengie Zion from Nigeria
13.  Kuadegbeku Pamela from Ghana
14. Abubasam Fahad Mutumba from Uganda
15. Akor Emmanuel Oche from Nigeria
16. Dan’bala Umar from Ghana
17. Obaji-Nwali Shegun from Nigeria

You may read the full winning haikus from here

http://babishainiwe.com/2017/07/19/babishai-haiku-2017-shortlist/
The winners will be announced on Sunday 6 August at the Babishai 2017 poetry festival dinner. Three winners will receive cash prizes, will be published in the Mamba journal and participate in selected literary festivals around the continent.

Festival programme is here:-
http://babishainiwe.com/2017/07/17/babishai2017-poetry-festival-programme/

Sincerely,
The Babishai Niwe Poetry Foundation Organising Committee
Email: babishainiwe@babishainiwe.com
Tel: +256 703147862
Twitter: @BNPoetryAward


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The Babishai 2017 Poetry Festival runs from 4 - 6 August.

THE BABISHAI 2017 HAIKU SHORTLIST




Below are the Babishai Haiku 2017 shortlisted pieces. Congratulations to all those on the shortlist.




drone season
from the harmattan mango
a fly calls flies

Justice Joseph Prah
Ghana





at dawn
the sky denies a lonely moon
a place to plant a foot

Osemwengie Zion
Nigeria



moon circle
palms into palms
an armless child breaks the ring

Kuadegbeku Pamela
Ghana




market square--
the town crier's voice
summons a crowd

Akor  Emmanuel Oche
Nigeria




A slice of the moon
swimming in the calm night pond--
another festival

Charlotte Akello
Uganda






harmattan
unseen broom sweeping
everywhere

Anthony Itopa Obaro
 Nigeria





Ugandan road...
a shrivelled leaf flies in
a cloud of dust


Abubasam Fahad Mutumba
Uganda




 downpour
waterfalls from rooftops
pouring into buckets

ANTHONY ITOPA OBARO
Nigeria





abandoned mirror-
the crow finds company
with its own image

Fred Kweku Forson
Ghana





migratory birds
black news fly
out of Zululand

Ahmad Holderness
Nigeria





the drunken cockroach
reels around the verandah-
rooster chuckles

Acen Miriam Carolyne
Uganda





under the bright moon,
fairy tales bring chill bumps
around log-fires

Kwao Jonathan Tetteh
Ghana





crickets' chirps
break the quiet of night:
an old man deserts his armchair

Nnedi Ezenwa Ohaeto
Nigeria





harmattan mango
the first ripening
in the midday sun


Justice Joseph Prah
Ghana





roadside
gaunt vultures nipped
a zonked drunkard 

Obaji Nwali Shegun
Nigeria





savannah hunt...
vultures rush to the kill
before me

Alawonde Theophilus Femi
Nigeria




in different fonts
an old school wall exhibits 
aliases of past students. 

Dan’bala Umar
Ghana




nightfall
the modulated chirping 
of hidden crickets

Akor Emmanuel  Oche
Nigeria





July rain. . .
my child traces her name 
on the car’s windscreen

Usman Karofi
Nigeria





last night’s rain
in the morning mud 
fresh toad prints


Kariuki wa Nyamu
Kenya






an owl hoots
we rush to papa's bed
too late

Alawonde Theophilus Femi
Nigeria

The award ceremony takes place on Sunday 6 August in Kampala at Humura Resort. Cards are on sale.